A DIY INDIEPOP VINYL & CASSETTE LABEL

Alison Eales - Mox Nox [Digital]

Artist: Alison Eales
Title: Mox Nox
Format: Digital single
Cat#: Fika094SG3
Release date: 9th March 2023
Bandcamp | Spotify

Mox Nox is the title track and third single to be taken from Alison Eales’ debut album. Mox Nox is a lyric constructed around sundial mottos, including the title itself (‘Night, shortly’). Opening with glockenspiel played by Joanne Murtagh (Remember Remember) it builds one instrument at a time, featuring strings, flute, autoharp, dulcimer and kalimba.

“I always liked the idea of using shadow puppets for this video, as it’s so in keeping with the sundial theme, but I didn’t think I had the skill to do it myself. Then I saw Manual Cinema’s beautiful work on the 2021 Candyman film.

https://manualcinema.com/work/candyman

I loved the starkness of the figures, and it inspired me to have a go at silhouette animation. I used Powerpoint to create the characters and backgrounds, and then superimposed them over time lapse footage of the sky outside my flat at sunset.”

Alison is a long-standing member of the band Butcher Boy, playing piano, accordion and other keyboards as well as arranging for choir and brass. The band’s three studio albums: Profit in Your Poetry (2007), React or Die (2009) and Helping Hands (2011) have all been well-received, with React or Die featuring in The Times’ top 100 pop albums of the 2000s. The band have also released two EPs. A compilation album, You Had A Kind Face, was released on Needle Mythology in 2022, along with three new songs, with tracks mastered by Miles Showell at Abbey Road. Butcher Boy have supported Belle and Sebastian, Scritti Politti The Wedding Present and more.

Alison is also a member of Glasgow Madrigirls and has collaborated with bands including The Color Waves (USA), The Just Joans (Glasgow) and Featherfin (Norway).

Mox Nox is released on vinyl and digitally in March 2023 on Fika Recordings.

“Mox Nox lifts its title from one such sundial motto, fittingly translating as Soon, Nightfall, the track is Alison at her most stripped back, nodding in equal parts to Monkey Swallows The Universe and Sunday Morning-era Velvet Underground. The production, courtesy of Paul Savage at the famous Chem 19 studios, is fantastic throughout, as Alison’s poised vocal and looping ukelele are adorned by the distant fizz of echoing strings plaintive woodwinds and subtle percussive flourishes, adding gorgeous texture to the sonic landscape.” For The Rabbits [video premiere]

Alison Eales - Ever Forward [Digital]

Artist: Alison Eales
Title: Ever Forward
Format: Digital single
Cat#: Fika094SG2
Release date: 9th February 2023
Bandcamp | Spotify

Ever Forward is the second single to be taken from Alison Eales’ debut album Mox Nox: with lyrics about being trapped in a dilapidated seaside town as the seasons change, and delivered over a string quartet expertly arranged and recorded by Pete Harvey (Pumpkinfield).

Alison is a long-standing member of the band Butcher Boy, playing piano, accordion and other keyboards as well as arranging for choir and brass. The band’s three studio albums: Profit in Your Poetry (2007), React or Die (2009) and Helping Hands (2011) have all been well-received, with React or Die featuring in The Times’ top 100 pop albums of the 2000s. The band have also released two EPs. A compilation album, You Had A Kind Face, was released on Needle Mythology in 2022, along with three new songs, with tracks mastered by Miles Showell at Abbey Road. Butcher Boy have supported Belle and Sebastian, Scritti Politti The Wedding Present and more.

Alison is also a member of Glasgow Madrigirls and has collaborated with bands including The Color Waves (USA), The Just Joans (Glasgow) and Featherfin (Norway).

Mox Nox is released on vinyl and digitally in March 2023 on Fika Recordings.

“In the liner notes to his Tea & Symphony compilation albums, Bob Stanley of Saint Etienne writes about a late-60s pop microgenre close to my heart – the ‘English Baroque sound’, defined by ‘string quartets, woodwinds, and summer-into-autumn melancholy’. Alison Eales may be resident in Glasgow rather than Gloucestershire, but with Ever Forward, she draws from that wellspring to wonderfully yearning effect.
The same grand but minimal style of string arrangement that marks Colin Blunstone’s Say You Don’t Mind or John Cale’s Paris 1919 is in full force on Ever Forward, as is the same refined, vaulting vocal, but the result is every bit Alison’s own. It’s the second track from her upcoming debut album, and if the rest are as good as this we’re in for a real treat.” Fresh On The Net

God Is In The TV premiere

Alison Eales - Fifty-Five North [Digital]

Artist: Alison Eales
Title: Fifty-Five North
Format: Digital single
Cat#: Fika094SG1
Release date: 5th January 2023
Bandcamp | Spotify

Fifty-Five North is the first single to be taken from Alison Eales’ debut album Mox Nox. A song firmly rooted in Glasgow, and expresses how a place can be both transformative and overwhelming. The song features samples from the Glasgow subway, with a rhythm track from the sounds of the train doors closing, and a melody made from the ping of the turnstiles.

Alison is a long-standing member of the band Butcher Boy, playing piano, accordion and other keyboards as well as arranging for choir and brass. The band’s three studio albums: Profit in Your Poetry (2007), React or Die (2009) and Helping Hands (2011) have all been well-received, with React or Die featuring in The Times’ top 100 pop albums of the 2000s. The band have also released two EPs. A compilation album, You Had A Kind Face, was released on Needle Mythology in 2022, along with three new songs, with tracks mastered by Miles Showell at Abbey Road. Butcher Boy have supported Belle and Sebastian, Scritti Politti The Wedding Present and more.

Alison is also a member of Glasgow Madrigirls and has collaborated with bands including The Color Waves (USA), The Just Joans (Glasgow) and Featherfin (Norway).

Mox Nox is released on vinyl and digitally in March 2023 on Fika Recordings.

“The single has parallels with another album track titled Ever Forward, but while both are about struggling with the change of the seasons, this song is rooted firmly in Glasgow and expresses how a place can be both transformative and overwhelming. The song features samples from the Glasgow Subway, with a rhythm track made from the sounds of the train doors closing, and a melody made from the ping of the turnstiles.The use of found sounds is both remarkable and quirky over which Eales’ uplifting vocals bring an enchanting vibrancy and colour. Fifty-Five North is also our Song of the Day.” Folk Radio UK [video premiere]

“a perfect fusion of indie-pop and electronica, nodding to bands like Firestations and Stereolab, as it combines glistening vocal lines with glitchy beats and transient synth melodies” For The Rabbits

“the track almost seems like a purely vocal performance, a remarkable one at that” Austin Town Hall

“‘Fifty-Five North’ is delicately crafted and far more complex and nuanced than it may initially appear. Breezy but chilly, it’s a pleasant and charming debut” Whisper and Hollerin

“a lovely piece of music, with a hint of some of the gentler sounds that were occasionally offered by the late Kirsty MacColl. It’s an ode to Glasgow from someone who is not a native but now calls it home after many years of studying, performing and working.” The New Vinyl Villain

Darren Hayman - You Will Not Die [double 12"/double CD]

Artist: Darren Hayman
Title: You Will Not Die
Format: Double 12” black gatefold vinyl and double digipack CD
Cat#: Fika089LP | Fika089CD
Release date: 4th November 2022
Bandcamp | Spotify

Following a stream of thematic and conceptual albums over the last 15 years Darren Hayman has recently returned to a more introspective, personal kind of music. Darren received critical praise, awards and government grants for albums about the witch trials in the English Civil War; the mid 20th-century boom in new towns; forgotten rural communities; and the political writings of William Morris.

“You Will Not Die is about relationships of all kinds beginning and ending, but it's also about our interior lives and how we process change as we get older. I was thinking about mortality and the temporariness of everything but also thinking of that fragility as a very beautiful thing to try and put into music."

"I think of this record as taking place at night, in contrast to the daytime setting of Home Time. This is an album about empty dance floors, lacklustre parties and lonely night buses home." The record is entirely electronic and recorded on Darren's collection of '70s synthesisers. "These instruments themselves are very fragile and mortal, they corrode and decay and behave in erratic ways. They do however, remain alive, for now."

Darren is the only musician on the album and the music conforms to a strict set of self-imposed rules; only one voice, only 12 tracks, only one polyphonic instrument. ¨Through this control and limited palette I found new melodies and structures. I wanted these old machines to guide me towards my most human record.¨

'A Real Human Being' is inspired by Darren's experience of life drawing. "Modern life encourages us to reduce people to images, jokes, memes. In life drawing, you're treating the person as a form, watching where the light and shadows fall, and then you're reminded that they are real, alive."

In 'No Lime for the Gin', a group of old friends is reunited in middle age, holding a half-hearted party where the talk is dominated by their hopes and broken dreams. 'Turn My Grey Tick Blue' is a wry look at the anxieties of dating in the digital age.

'You Were Always Here' ends the album on an optimistic note. Finding love late in life, the narrator ruminates on how the bad things happened for a reason, and that perhaps we always end up where we're supposed to be.

"In recent years my life has had its own upheavals and it would seem weird not to have this emerge in my music," says Darren. Home Time (2020) was a bright, acoustic, set of songs but was, at its heart, a break-up album. "I wanted to make fun of myself and of this kind of record."

You Will Not Die is a much slower and more brooding voyage through similar waters. It is a seductive, soulful collection of songs and instrumentals that sits among Darren's most emotive and intelligent work.

“bold and unique" The Sunday Times
“Hayman has hit a creative purple patch… a treat” Mojo
“uniquely intimate and very satisfying”  - BBC

Press for You Will Not Die

“a meditative conversation with oneself, ruminating over various aspects of growing older, amorous connections taking various courses, and the two ideas being somewhat dependent on each other. Kudos to Hayman for letting this discourse take its natural course, rather than frontload the album with its catchiest songs (many of which come towards its end, with the placement reflecting a certain positivity, obtained through such contemplation)” The Quietus

“it sees Hayman at his most withdrawn and introspective, uncovering new truths hidden in well-worn themes. This is something to be celebrated: when a songwriter of Hayman’s skill turns the spotlight back on himself – and in doing so, creates a new world in miniature scale – it’s worth taking note” Folk Radio

“Sonically, Hayman has achieved some really engaging, electronic, synth-based pieces. From the ominous, bass-heavy We Are Repaired, to the bouncy and bright Don’t Haunt Me, there are plenty of little great moments.” NARC

Snack Mag interview with Darren

Biography

Best known as the singer-songwriter of the phenomenally successful and much-loved Hefner, Darren Hayman is now 15 years, and over 14 albums, into an increasingly idiosyncratic career path, where he has taken a singular and erratic route through England’s tired and heartbroken underbelly. Darren is also writing the best tunes of his career; increasingly complex and mature songs, he is a thoughtful, concise and detailed songwriter.

Hayman’s first two solo albums, Table For One (2006) and The Secondary Modern (2007), charmed the critics – with The Guardian opining that Hayman’s profoundly English songwriting was “the match of Ray Davies”. Mostly joined by his band The Secondary Modern – a loose, urban folk collective, underpinning Hayman’s concrete sorrow with rural violins and tired pianos – he has released a series of albums, largely focused on place. This allowed for the exploration of nuanced subjects in detail, with a trio of albums based in Essex (2009’s Pram Town and 2010’s Essex Arms) and culminating in 2012’s The Violence, a 20 song account of the 17th century Essex witch trials. From this he developed an album of English Civil War folk songs of the time (2013’s Bugbears) and stayed with the historical theme for Chants For Socialists, which saw him set William Morris’ words to music, creating an album of kindness and hope that brought Hayman’s most critical acclaim yet. 

In 2016 Darren was awarded ‘Hardest Working Musician’ by the Association of Independent Music for his epic project on Thankful Villages, the 55 villages that survived the Great War with no casualties. 12 Astronauts tells the personal story of the only men to have walked on the Moon.

adults - for everything, always [12"]

Artist: adults
Title: for everything, always
Format: 12” pink vinyl album & digital
Cat#: Fika093LP
Release date: 14th October 2022
Bandcamp | Spotify

Combining elements of indie-pop, punk, emo and just a little bit of 2009 vintage math-rock for good measure, adults are four pals trying to find their way in a disintegrating world. for everything, always reflects on how we look after ourselves, one another and people in our community; it’s a riotous collision reminiscent of Johnny Foreigner, The Beths or Trust Fund, bursting with crunching guitars, speedy drums and yelping dual vocals.

The first single all we’ve got // all we need is a song about individual torments: “having a breakdown on the Megabus to Bristol", and about collective support: “mutual aid, building strong networks of community resistance to the hostile environment, to food insecurity, to the homophobia and transphobia by the state and about trying to look after one another”.

the secret song to end side one deals with loss, guilt, rejection and anxiety, exploring the travails of a messy breakup and the masculine urge to bury everything deep down despite the fact that that only hurts people more.

tfl has a lot to answer for is a “reflection of drinking way too much in yr mid 20s, staying up too late, burning yrself out and how it impacts on yr relationships and mental health”.

Recorded and produced by Rich Mandell (Happy Accidents, ME REX) over a couple of weekends in the summer of 2021, for everything, always is the constantly naive, but optimistic, outlook: always striving for a better future in the face of modern society’s bullshit.

adults are a noisy pop band desperately clinging on to the ghosts of 2009. 
Their songs are a silly, joyful, and occasionally sad, look back at the tail end of their 20s, a way to grapple with breakups, parties, alcohol and loneliness, and looking hopefully into the future.
They’ve released singles with Art Is Hard and For The Sakes Of Tapes, and self released an EP (The Weekend Was Always Almost Over), which was subsequently released on vinyl by Caballito records. adults are based in south London.

Faster, messier and sillier than they have any right to be, adults are hopeful and joyous, fighting through the existential angst of youth to try and find their place in a world on the brink, as grown ups, as adults. Like the octopus on the artwork says: “we're all we've got, we're all we need”.

adults are
carl (he/they) - bass
joe (he/him) - drums
joely (she/they) - guitar and singing
tom (he/him) - guitar, synth, singing

https://linktr.ee/sclubadults

* * *

the sad and sorry state of a band in the last throes of their twenties.

no one told us at fourteen that playing music would be like this. the late night load ins, scheduling annual leave to squeeze out fourteen songs spread out over fourteen days.

the news had only just reached us. dancing and laughing with the ppl we love remains everything even when we knew it was time to pick up our shoes and leave. i can still see yr smile coming and feel mine forming. and the weekend was always almost over. 
and its funny. and its all so reductive. and none of this counts until the boredom is tangible.
either way 
find comfort in that
there is always a better way to do this
the list will complete you first

for everything, always

p.s. i had a little snooze and now i will probably never arrive at yr house.

adults xoxox

“Propelled by their trademark jangling melodies and buoyant scuzzy energy, ‘things we achieve‘ reflects on the pressures of living in a Capitalist society as honey-sweet vocals interweave between whirring hooks. Showcasing adults’ ability to juxtapose poignant subject matter with an irresistibly blissful, catchy musicality, this latest single offers a slice of gloriously fizzing indie-pop that’ll both uplift and inspire” Get In Her Ears

“Clocking in at barely two minutes, the track is a belt-along blast even by Adults’ high standards, yet like so many of the best seemingly chaotic bops, beneath the clatter, there’s plenty to say. Joely and Tom share vocal duties, yelping out their frustrations at both a lack of progress and having to exist in a world that constantly demands it” For The Rabbits

“A little roll in, a nice shouted sample, then the band rushes off, running full spring through this spirited burst of pop rock. You’ve settled into the joyous nature, then the 1:37 marker hits and the song turns, hitting even more furiously as it chases down that finish line, though still keeping that melody bobbing” Austin Town Hall

“Short, sharp and spiky, there’s a touch of Johnny Foreigner in the rapid-fire vocal delivery while the jangle-pop sound is reminiscent of the underground legends Bearsuit or the much-missed Spook School at their sweetest” Spectral Nights

“their jangle rock being punctuated by a sense of leftfield, that emanates from an incessant noise-pop energy and unrelenting vocal delivery, as they race through a world of issues” Jangle Pop Hub

adults - tfl has a lot to answer for [Digital]

Artist: adults
Title: tfl has a lot to answer for
Format: Digital single
Cat#: Fika093SG3
Release date: 22nd September 2022
Bandcamp | Spotify

South London DIY punk outfit adults today release the final single single “tfl has a lot to answer for” form their forthcoming debut album “for everything, always”, coming out on October 14th on Fika Recordings.

The new single is “a reflection of drinking way too much in yr mid 20s, staying up too late, burning yrself out and how it impacts on yr relationships and mental health”. It’s two and a half minutes of delightfully scrappy, catchy DIY pop that’s sure to appeal to fans of Los Campesinos, Martha and Johnny Foreigner.

adults are a noisy pop band desperately clinging on to the ghosts of 2009.

Their songs are a silly, joyful, and occasionally sad, look back at the tail end of their 20s, a way to grapple with breakups, parties, alcohol and loneliness, and looking hopefully into the future.

They’ve released singles with Art Is Hard and For The Sakes Of Tapes, and self released an EP (The Weekend Was Always Almost Over), which was subsequently released on vinyl by Caballito records. They’re based in south London.

adults are
carl (he/they) - bass
joe (he/him) - drums
joely (she/they) - guitar and singing
tom (he/him) - guitar, synth, singing

“Smart, fun, and relevant” The Revue

“This one is all about the opening guitar work, fighting chords working over each other for stardom, building the tension and rushing into action. It’s here the vocals unite, offering a bit of melodic call and response before settling into the calm of the chorus” Austin Town Hall

Mindies [in Spanish]

Let's Whisper - The In-Between Times [12"]

Artist: Let’s Whisper
Title: The In-Between Times
Format: 12" album on black vinyl
Cat#: Fika092LP
Release date: 26th August 2022
Bandcamp

The name “Let’s Whisper” implies secrets—the sorts of things you’d tell friends in a night’s waning hours, as the sun is about to peek over the horizon. Colin Clary and Dana Kaplan have been friends and musical collaborators for years, and the openhearted, detail-rich indiepop they craft together reflects their rich creative relationship and trust in each other. On The In-Between Times, the second Let’s Whisper full-length—the band’s first release in eight years, and first as a five-piece—the Burlington-based band digs deeper into their day-to-day worlds while confronting their individual and collective futures.    

“This is a record about love and loss and change and possibilities,” Colin and Dana say about The In-Between Times, which comes out on Fika Recordings in August 2022. Indeed, the prevailing mood of this album is a sense of grounding, of not letting the big questions of life—“what gets you through the night?”, “will I see you around the town?”, “have you done the thing that defines you yet?”—completely obfuscate the minutiae that makes it beautiful.  

Musically and lyrically detailed, The In-Between Times is the work of a band that uses the catchy melodies and jangling guitars of indiepop to peel off into exciting, and at times unexpected, musical and lyrical directions. “The Thing That Defines You” is crisp and questioning, with squiggles of guitar at its melody’s fringes implying the strands of identity that a friend is trying to see in order to get a full, unencumbered-by-narrative picture of someone they love. “Sing!” swells from a gentle jangle into a triumphant trans anthem that charmingly flips the bird to societal norms. “40 Ways To Love You” pairs its pointillistic detailing of a loved one’s best qualities with a weepy guitar countermelody that makes the romance all the more poignant.        

Let’s Whisper started as a home-recording project between Colin and Dana, also in the beloved “open-hearted indiepop revolutionaries” The Smittens, in the mid-2000s. Writing and recording music at home resulted in more tightly knit songwriting process, which the pair referred to as “Whispering.” After releasing a pair of EPs, 2008’s Make Me Smile and 2010’s Keep a Secret, Let’s Whisper brought on drummer Brad Searles (Eef, The Also-Rans), expanding and adding a fulcrum to their sound. Since Brad joined, Let’s Whisper has released one album, 2011’s The Shortest Days, and a 10-inch, 2014’s As Close As We Are. The latter was called “short and sweet, by turns deadpan in its delivery and sentimental in its subject matter” by the Vermont weekly Seven Days, and it was Let’s Whisper’s last release until now.

But Let’s Whisper has kept creatively busy in those ensuing years. In addition to the three members pursuing their own projects individually and together, Let’s Whisper toured the US and the UK, rounding out its lineup with bassist-guitarist Jeff Baron (Essex Green, Ladybug Transistor) in the States and bassist-vocalist Emma Kupa (Standard Fare, Mammoth Penguins) in Great Britain. For the recording of The In-Between Times, both Jeff and Emma joined Colin, Dana, and Brad during sessions at Marlborough Farms in Brooklyn—although they did so a year apart, with Emma recording her parts (including banjo on the chiming “Simple Times” and vocals and banjo on the plainspoken “Long Run”) with the core three in 2017 and Jeff adding guitar and keyboards in 2018, when the finishing touches were put on the album by studio owner and engineer Gary Olson.  

With The In-Between Times, Let’s Whisper have created an album that, even in its more pensive and mournful moments, celebrates the array of what life has to offer—the elation of watching hot-air balloons lift off at sunset, the triumph that comes with living honestly, the joy that comes when an open heart is mirrored by a friend, or a fan, or a loved one. Lean in and listen closely. 

Let’s Whisper are
Colin Clary - guitar, vocals
Dana Kaplan - guitar, vocals
Brad Searles - drums
Emma Kupa - bass, vocals,
Jeff Baron - guitar, keys

LET’S WHISPER started as a home-recording project between the Burlington, Vermont-based duo of Colin Clary and Dana Kaplan (The Smittens) in the mid-2000s. Their home-recording process, which they refer to as “Whispering,” conjures up intimate, heartfelt songs that build off the framework of tweepop and incorporate bits of psychedelia and Americana while staying openhearted and questioning. On their first release in eight years, The In-Between Times, Let’s Whisper—now a five-piece rounded out by drummer Brad Searles, bassist-vocalist Emma Kupa, and guitarist-keyboardist Jeff Baron—expand their sound while detailing the realities of their world in pointillistic lyrics. 

“The In-Between Times offers the type of sentimental, nostalgic music that would be at home in a quirky, early aughts rom-com soundtrack with bands like the Magnetic Fields, the Microphones, Seabear and the Weakerthans” Seven Days

“every bit as good as it should be with such a line up and drifts through an eclectic mix of twee / jangly indie-pop… consumamate cool of Scottish indie-pop acts such as the BMX Bandits, U.S. Highball and Bubblegum Lemonade” Janglepop

“Disarming and comforting” Sydsvenskan [4/5]

“The songs of "The In-Between Times" are truly timeless” (album of the week) Music Won’t Save You [in Italian]

Just Another Pop Song [Italian]

adults - things we achieve [Digital]

Artist: adults
Title: things we achieve
Format: Digital single
Cat#: Fika093SG2
Release date: 18th August 2022
Bandcamp | Spotify

South London DIY punk outfit adults today release their latest single “things we achieve” and announce their debut album “for everything, always”, coming out in October on Fika Recordings.

The new single things we achieve is about “how capitalism makes us  forget what matters, how to be kind to people and to enjoy living”, it’s two and a half minutes of delightfully scrappy, catchy DIY pop that’s sure to appeal to fans of Los Campesinos, Martha and Johnny Foreigner.

adults are a noisy pop band desperately clinging on to the ghosts of 2009. 

Their songs are a silly, joyful, and occasionally sad, look back at the tail end of their 20s, a way to grapple with breakups, parties, alcohol and loneliness, and looking hopefully into the future.

They’ve released singles with Art Is Hard and For The Sakes Of Tapes, and self released an EP (The Weekend Was Always Almost Over), which was subsequently released on vinyl by Caballito records. They’re based in south London.

adults are
carl (he/they) - bass
joe (he/him) - drums
joely (she/they) - guitar and singing
tom (he/him) - guitar, synth, singing

“Propelled by their trademark jangling melodies and buoyant scuzzy energy, ‘things we achieve‘ reflects on the pressures of living in a Capitalist society as honey-sweet vocals interweave between whirring hooks. Showcasing adults’ ability to juxtapose poignant subject matter with an irresistibly blissful, catchy musicality, this latest single offers a slice of gloriously fizzing indie-pop that’ll both uplift and inspire” Get In Her Ears

“Clocking in at barely two minutes, the track is a belt-along blast even by Adults’ high standards, yet like so many of the best seemingly chaotic bops, beneath the clatter, there’s plenty to say. Joely and Tom share vocal duties, yelping out their frustrations at both a lack of progress and having to exist in a world that constantly demands it” For The Rabbits

“A little roll in, a nice shouted sample, then the band rushes off, running full spring through this spirited burst of pop rock. You’ve settled into the joyous nature, then the 1:37 marker hits and the song turns, hitting even more furiously as it chases down that finish line, though still keeping that melody bobbing” Austin Town Hall

“Short, sharp and spiky, there’s a touch of Johnny Foreigner in the rapid-fire vocal delivery while the jangle-pop sound is reminiscent of the underground legends Bearsuit or the much-missed Spook School at their sweetest” Spectral Nights

“their jangle rock being punctuated by a sense of leftfield, that emanates from an incessant noise-pop energy and unrelenting vocal delivery, as they race through a world of issues” Jangle Pop Hub

Let's Whisper - Long Run [Digital]

Artist: Let’s Whisper
Title: Long Run
Format: Digital single
Cat#: Fika092SG3
Release date: 4th August 2022
Bandcamp | Spotify

Let’s Whisper return with their first new music since 2014, having grown from a three piece to enlist the talents of The Essex Green’s Jeff Baron and Mammoth Penguins’ Emma Kupa, today previewing another track from their forthcoming album.

Following on from recent singles The Thing That Defines You and The Year Of Getting High (the first new music from Let’s Whisper since 2014), Long Run showcases another angle to Let’s Whisper’s evolution.

Written by Emma Kupa, Long Run is the first Let’s Whisper track not penned by the founding duo of Colin Clary and Dana Kaplan, and leads us through her tender reflections on relationship regrets - a thread familiar to those who fell in love with her critically acclaimed solo album of 2020.

“This song is about finding peace and closure and seeing a more positive side to a situation that for a long time may have only seemed negative.”

Let’s Whisper started in the early 2000s in Burlington, Vermont, as a home recording project for Dana Kaplan and Colin Clary, both of The Smittens, for their softer, more intimate compositions. Brad Searles joined soon after on drums, as the sounded evolved from acoustic duets to embrace a wider dynamic. They released a pair of EPs and two full length record on the much missed London based microlabel WeePOP! from 2008 to 2014.

Since then, Let’s Whisper started playing more shows, in the US enlisting Jeff Baron (The Essex Green, Ladybug Transistor) on guitar or bass, and in the UK bringing in Emma Kupa (Mammoth Penguins, Standard Fare) on bass.

On the forthcoming record The In-Between Times, their first for Fika Recordings, they recorded with Gary Olson (The Ladybug Transistor) in Brooklyn, NY. It’s the first Let’s Whisper record with Dana Kaplan post-testosterone, and sees Emma Kupa fill in on the high harmonies vacated by Dana’s new vocal range. The addition of Jeff Baron and Emma Kupa has brought flourishes of both The Essex Green’s textural complexity and Standard Fare’s polyphony arrangements to the Let’s Whisper catalogue.

LET’S WHISPER started as a home-recording project between the Burlington, Vermont-based duo of Colin Clary and Dana Kaplan (The Smittens) in the mid-2000s. Their home-recording process, which they refer to as “Whispering,” conjures up intimate, heartfelt songs that build off the framework of tweepop and incorporate bits of psychedelia and Americana while staying openhearted and questioning. On their first release in eight years, The In-Between Times, Let’s Whisper—now a five-piece rounded out by drummer Brad Searles, bassist-vocalist Emma Kupa, and guitarist-keyboardist Jeff Baron—expand their sound while detailing the realities of their world in pointillistic lyrics. 

Let’s Whisper live:
15 Sep: O Brien’s, Boston MA - with Quivers and Yours Are The Only Ears

“It’s a mellow ballad, but this time Emma seems to be finding solace in letting things go, allowing yourself to find some closure. The instrumentation is really special, from little horn accents to an understated banjo working beneath Emma’s voice” Austin Town Hall