A DIY INDIEPOP VINYL & CASSETTE LABEL

Darren Hayman

New Starts - What I Specifically Love [Digital]

Artist: New Starts
Title: What I Specifically Love
Format: digital single
Cat#: Fika102SG4
Release date: 4th September 2024
Bandcamp | Spotify

What I Specifically Love is the latest track to be taken from the debut New Starts album [More Break-Up Songs, out in August 2024].

As I get older the balance between my art and my music becomes more balanced, they each take up 50% of my time and my mind. As such I’m often looking for ways to make them integrate and compliment each other.

About a year ago I started painted pictures in the length of time of a song. i would paint George Harrison’s guitar during one listen of Taxman.

The video for ‘What I Specifically Love’ is an attempt to draw the band and instruments with a kinetic energy that matches the song, using sharp angular lines to match the sounds and energy of Joely’s spiky guitar. Making the ragged curls of Giles hair bounce In sympathy with his bass line.

I hope you enjoy this video, it was lots of fun and cost 0p to make.

The language of love can be vague and general for a reason, we are not necessarily blessed with a precise and accurate language for all to these situations.

In this song someone has said ‘I Love You’ but been met with ‘yes, but what? What specifically do you love?’ And so this song is the result.

It’s been a long time since i wrote a truly two chord song. I wanted the relative complex and wordy narrative to have an express train running underneath it. Me and Joely play harmony guitars. It’s very hard and you have to be very exact. This song is hard to play. 

New Starts are a spikey, fresh sounding band recalling the poppier ends of new wave and angular guitar rock. Their influences include The Cars, Breeders, Bay City Rollers, The Velvet Underground and ZZ Top.

Lead singer Darren Hayman has his own long career running from the late 90s with John Peel faves Hefner to his more recent thematic and historical albums dealing with the English Civil War, William Morris and forgotten rural idylls. 

“I wanted a band again,” says Hayman, “and not a band that just backed me up and played my old songs. When we form our first bands in our teens we just find some friends and work through the musical differences. I usually look for players who play in a way I’m used to. This time I looked for variance and was led by people’s personality.”

Guitarist Joely Smith [of South London’s noise-pop adults and recently DIY-punks Fresh] was recommended by a mutual friend who said, ‘She makes everything better’. Hayman and Smith shared a coffee and agreed on the correct number of guitar pedals and decided to proceed without an audition.

“There is a tendency for me to make my chords too pretty. Joely cuts against that and plays in the opposite direction.” Hayman is a fan of rules and constraints and employed a new, oblique strategy on this record. “Even though I wrote all the songs, I wanted the songs to belong to everyone during arrangement. I decided that I would say ‘yes’ to every suggestion from the band, regardless of my instinct.”

This made the songs warp and bend into new shapes and ensured that the record was the product of four individuals. Bassist Giles Barrett and drummer Will Connor come from funky afro beat influenced band Tigercats. “Pretty much the only rhythm I use, left to my own devices, is the ‘road runner’ rhythm. Will takes to care to find where the drum beat can be and we always end up somewhere I didn’t expect.”

New Starts - More Break-Up Songs [12"/CD]

Artist: New Starts
Title: More Break-Up Songs
Format: 12” vinyl | digifile CD | digital
Cat#: Fika102
Release date: 16th August 2024
Bandcamp | Spotify

New Starts are a spikey, fresh sounding band recalling the poppier ends of new wave and angular guitar rock. Their influences include The Cars, Breeders, Bay City Rollers, The Velvet Underground and ZZ Top.

Lead singer Darren Hayman has his own long career running from the late 90s with John Peel faves Hefner to his more recent thematic and historical albums dealing with the English Civil War, William Morris and forgotten rural idylls. 

“I wanted a band again,” says Hayman, “and not a band that just backed me up and played my old songs. When we form our first bands in our teens we just find some friends and work through the musical differences. I usually look for players who play in a way I’m used to. This time I looked for variance and was led by people’s personality.”

Guitarist Joely Smith [of South London’s noise-pop adults and recently DIY-punks Fresh] was recommended by a mutual friend who said, ‘She makes everything better’. Hayman and Smith shared a coffee and agreed on the correct number of guitar pedals and decided to proceed without an audition.

“There is a tendency for me to make my chords too pretty. Joely cuts against that and plays in the opposite direction.” Hayman is a fan of rules and constraints and employed a new, oblique strategy on this record. “Even though I wrote all the songs, I wanted the songs to belong to everyone during arrangement. I decided that I would say ‘yes’ to every suggestion from the band, regardless of my instinct.”

This made the songs warp and bend into new shapes and ensured that the record was the product of four individuals. Bassist Giles Barrett and drummer Will Connor come from funky afro beat influenced band Tigercats. “Pretty much the only rhythm I use, left to my own devices, is the ‘road runner’ rhythm. Will takes to care to find where the drum beat can be and we always end up somewhere I didn’t expect.”

More Break Up Songs is a collection of 12 Break Up songs because Darren broke up with someone. Again. “I suck’, he says, “But it’s never anyone’s fault. It makes me very sad but I do have to work through these things in song and there’s always something to learn. I try to make songs about breakups that could be understood by both parties. I’m not interested in nasty songs.”

Opening song ‘Little Stone in my Heart’ blisters along with Joely’s wildest guitars. The protagonist will do anything to make things right, but nothing ever is.

‘Under the Striplights’ has driving, choppy, incessant riffs, and is about the need to be anywhere but somewhere other than here. We could be under the moon or under the strip lights as long as we have each other.

Another barely kept rule that Darren instigated on this album was that each song would be a tonal equivalent to one from The Velvet Underground’s third album. To that end ‘Don’t Need Persuading’ is this record’s ‘Pale Blue Eyes’ with the narrator being unable to break free of a vortex, knowing they will stay the night against all better judgment. 

‘I’ve had a long standing distrust of the guitar,’ says Darren, ‘despite it being my primary instrument for twenty years. I thought it was time I made a record with two guitars and drums and bass. I wanted it to be bright, immediate and young sounding, despite the fact I’m old. We recorded it in four days and I think this might be the record a lot of my audience has wanted me to make for a long time.’

“The songs are vintage Hayman at first glance. And right from the start of ‘A Little Stone’, the Hefner crew will be delighted. But there’s an edge here that comes with the band arrangements. Dissonance, driven bass, and thudding toms. There’s an energy here that feels like a band in the right gear. There are lovely slow moments, too. The ‘Pale Blue Eyes’ of the album, ‘Don’t Need Persuading’, is up there with Hayman’s best songs.
It’s a great new project from one of our best songwriters. Spend some time in a sad, but upbeat world.” The Quietus

“He has fashioned an album overtly nodding to The Velvet Underground’s third - the dynamic flow is shared, as is the sound. The title lays out the subject matter, with songs as candid and sometimes equally wince-inducing as Hefner’s. But boy, does he sound reinvigorated.” Mojo [3/5]

“Darren Hayman weaves a personal mythology of love and loneliness…the results are sometimes humorous, sometimes tear-jerking, and never less than entertaining.” KLOF

“Tease the Corners and What I Specifically Love are classic Hayman” Scottish Express

“the clash between the former leader of Hefner and the guitarist Joely Smith, linked to noise pop, is striking, giving the compositions a more urgent and electric air” El Pais [Spanish]

“Darren Hayman was, before embarking on a versatile solo career, figurehead of Hefner. Here he diversifies even further, uniting with a band that offer fascinating parallels to his own style. Guitarist Joely Smith makes the most brilliantly caustic of combos against Hayman's own melodic playing, while the rhythm section of Giles Barrett and Will Connor add exuberance with their afrobeat background.” Norman Records

“It feels like those hazy summer days when you’re young, and things feel like they’re falling apart, but the sun’s beating down onto the tarmac and you’ve at least you’ve got yourself for company. There are moments where the record sounds like Pavement, maybe a little too much at times, with Hayman’s voice roaming freely with the same occasionally-unpolished charm as Stephen Malkmus.” Far Out

“ if songs of this quality are the expectation of Darren Hayman at this point in his career, that’s a very good thing” Add To Wantlist

“fresh, edgy sound harks back to the more poetic extremes of new wave” TV6 [Italian]

New Starts - A Little Stone [Digital]

Artist: New Starts
Title: A Little Stone
Format: digital single
Cat#: Fika102SG3
Release date: 17th July 2024
Bandcamp | Spotify

A Little Stone is the latest track to be taken from the debut New Starts album [More Break-Up Songs, out in August 2024].

I said the phrase “A Little Stone” unthinkenly one day to a friend to describe my mood. ‘I’ve got a little stone in my heart’. Not heart broken, not devastated it’s just heavier than it should be and feels wrong. This is my favourite guitar part from Joely. It’s ferocious. 

Video shot and edited by Fraser Watson, Foliage Films.
Rolling ball artist Rory Buckley.

New Starts are a spikey, fresh sounding band recalling the poppier ends of new wave and angular guitar rock. Their influences include The Cars, Breeders, Bay City Rollers, The Velvet Underground and ZZ Top.

Lead singer Darren Hayman has his own long career running from the late 90s with John Peel faves Hefner to his more recent thematic and historical albums dealing with the English Civil War, William Morris and forgotten rural idylls. 

“I wanted a band again,” says Hayman, “and not a band that just backed me up and played my old songs. When we form our first bands in our teens we just find some friends and work through the musical differences. I usually look for players who play in a way I’m used to. This time I looked for variance and was led by people’s personality.”

Guitarist Joely Smith [of South London’s noise-pop adults and recently DIY-punks Fresh] was recommended by a mutual friend who said, ‘She makes everything better’. Hayman and Smith shared a coffee and agreed on the correct number of guitar pedals and decided to proceed without an audition.

“There is a tendency for me to make my chords too pretty. Joely cuts against that and plays in the opposite direction.” Hayman is a fan of rules and constraints and employed a new, oblique strategy on this record. “Even though I wrote all the songs, I wanted the songs to belong to everyone during arrangement. I decided that I would say ‘yes’ to every suggestion from the band, regardless of my instinct.”

This made the songs warp and bend into new shapes and ensured that the record was the product of four individuals. Bassist Giles Barrett and drummer Will Connor come from funky afro beat influenced band Tigercats. “Pretty much the only rhythm I use, left to my own devices, is the ‘road runner’ rhythm. Will takes to care to find where the drum beat can be and we always end up somewhere I didn’t expect.”

New Starts - Asbestos Roof [Digital]

Artist: New Starts
Title: Asbestos Roof
Format: digital single
Cat#: Fika102SG2
Release date: 12th June 2024
Bandcamp | Spotify

Asbestos Roof is the second track to be taken from the debut New Starts album [More Break-Up Songs, out in August 2024].

I have written a few songs about getting older but they are often an internal solution to the situation. In this song anything is possible if eyes are closed and the imagination is used. We can be young, we can be anywhere, we can be anything. 

New Starts are a spikey, fresh sounding band recalling the poppier ends of new wave and angular guitar rock. Their influences include The Cars, Breeders, Bay City Rollers, The Velvet Underground and ZZ Top.

Lead singer Darren Hayman has his own long career running from the late 90s with John Peel faves Hefner to his more recent thematic and historical albums dealing with the English Civil War, William Morris and forgotten rural idylls. 

“I wanted a band again,” says Hayman, “and not a band that just backed me up and played my old songs. When we form our first bands in our teens we just find some friends and work through the musical differences. I usually look for players who play in a way I’m used to. This time I looked for variance and was led by people’s personality.”

Guitarist Joely Smith [of South London’s noise-pop adults and recently DIY-punks Fresh] was recommended by a mutual friend who said, ‘She makes everything better’. Hayman and Smith shared a coffee and agreed on the correct number of guitar pedals and decided to proceed without an audition.

“There is a tendency for me to make my chords too pretty. Joely cuts against that and plays in the opposite direction.” Hayman is a fan of rules and constraints and employed a new, oblique strategy on this record. “Even though I wrote all the songs, I wanted the songs to belong to everyone during arrangement. I decided that I would say ‘yes’ to every suggestion from the band, regardless of my instinct.”

This made the songs warp and bend into new shapes and ensured that the record was the product of four individuals. Bassist Giles Barrett and drummer Will Connor come from funky afro beat influenced band Tigercats. “Pretty much the only rhythm I use, left to my own devices, is the ‘road runner’ rhythm. Will takes to care to find where the drum beat can be and we always end up somewhere I didn’t expect.”

“there’s an undeniable freshness here, that slightly off-kilter collision of ideas that’s at the heart of all the best bands, the propulsive rhythm creating a base for the guitars to play off against one another, Darren’s driving melodies battling against Joely’s choppier, against the grain style, reminiscent of Graham Coxon’s playing on Blur’s spiky self-titled album. An intriguing introduction, New Starts feels more than just a name, by digging back into their earliest musical memories, they might just have created a blueprint for where these talented bunch of musicians are going next.” For The Rabbits

“it’s a supergroup of what’s cool in the UK underground scene. They hold the song in these jagged bouncing chords, while Hayman delivers his traditional idiosyncratic lyrics across the tune; this particular tune seems to be bleeding with notes of confessional, which makes sense as this is another album filled with break-up songs. Pop songs with great punch? I’m betting New Starts have it in loads” Austin Town Hall

“fuzzy as heck and wouldn't seem out of place dropping in the late-70s” Thats Good Enough For Me

“Fresh spiky pop that fuses with lonely guitar rock and a desire for simplistic love, but most of all they just want us to like them, and we do.” Freak Magnet

Brooklyn Vegan

New Starts - Under The Striplights [Digital]

Artist: New Starts
Title: Under The Striplights
Format: digital single
Cat#: Fika102SG1
Release date: 8th May 2024
Bandcamp | Spotify

Under The Striplights is the first track to be taken from the debut New Starts album [More Break-Up Songs].

It’s a love song or at least for a plea for a simpler more straightforward type of love. A couple on the edge of a break up can’t agree on anything or where to eat or where to drink.

Under the Striplights or Under the Moon, means they could be anywhere, the location isn’t the problem, the solution can be found anywhere. 

New Starts are a spikey, fresh sounding band recalling the poppier ends of new wave and angular guitar rock. Their influences include The Cars, Breeders, Bay City Rollers, The Velvet Underground and ZZ Top.

Lead singer Darren Hayman has his own long career running from the late 90s with John Peel faves Hefner to his more recent thematic and historical albums dealing with the English Civil War, William Morris and forgotten rural idylls. 

“I wanted a band again,” says Hayman, “and not a band that just backed me up and played my old songs. When we form our first bands in our teens we just find some friends and work through the musical differences. I usually look for players who play in a way I’m used to. This time I looked for variance and was led by people’s personality.”

Guitarist Joely Smith [of South London’s noise-pop adults and recently DIY-punks Fresh] was recommended by a mutual friend who said, ‘She makes everything better’. Hayman and Smith shared a coffee and agreed on the correct number of guitar pedals and decided to proceed without an audition.

“There is a tendency for me to make my chords too pretty. Joely cuts against that and plays in the opposite direction.” Hayman is a fan of rules and constraints and employed a new, oblique strategy on this record. “Even though I wrote all the songs, I wanted the songs to belong to everyone during arrangement. I decided that I would say ‘yes’ to every suggestion from the band, regardless of my instinct.”

This made the songs warp and bend into new shapes and ensured that the record was the product of four individuals. Bassist Giles Barrett and drummer Will Connor come from funky afro beat influenced band Tigercats. “Pretty much the only rhythm I use, left to my own devices, is the ‘road runner’ rhythm. Will takes to care to find where the drum beat can be and we always end up somewhere I didn’t expect.”

“there’s an undeniable freshness here, that slightly off-kilter collision of ideas that’s at the heart of all the best bands, the propulsive rhythm creating a base for the guitars to play off against one another, Darren’s driving melodies battling against Joely’s choppier, against the grain style, reminiscent of Graham Coxon’s playing on Blur’s spiky self-titled album. An intriguing introduction, New Starts feels more than just a name, by digging back into their earliest musical memories, they might just have created a blueprint for where these talented bunch of musicians are going next.” For The Rabbits

“it’s a supergroup of what’s cool in the UK underground scene. They hold the song in these jagged bouncing chords, while Hayman delivers his traditional idiosyncratic lyrics across the tune; this particular tune seems to be bleeding with notes of confessional, which makes sense as this is another album filled with break-up songs. Pop songs with great punch? I’m betting New Starts have it in loads” Austin Town Hall

“fuzzy as heck and wouldn't seem out of place dropping in the late-70s” Thats Good Enough For Me

“Fresh spiky pop that fuses with lonely guitar rock and a desire for simplistic love, but most of all they just want us to like them, and we do.” Freak Magnet

Brooklyn Vegan

Darren Hayman - You Will Not Die [double 12"/double CD]

Artist: Darren Hayman
Title: You Will Not Die
Format: Double 12” black gatefold vinyl and double digipack CD
Cat#: Fika089LP | Fika089CD
Release date: 4th November 2022
Bandcamp | Spotify

Following a stream of thematic and conceptual albums over the last 15 years Darren Hayman has recently returned to a more introspective, personal kind of music. Darren received critical praise, awards and government grants for albums about the witch trials in the English Civil War; the mid 20th-century boom in new towns; forgotten rural communities; and the political writings of William Morris.

“You Will Not Die is about relationships of all kinds beginning and ending, but it's also about our interior lives and how we process change as we get older. I was thinking about mortality and the temporariness of everything but also thinking of that fragility as a very beautiful thing to try and put into music."

"I think of this record as taking place at night, in contrast to the daytime setting of Home Time. This is an album about empty dance floors, lacklustre parties and lonely night buses home." The record is entirely electronic and recorded on Darren's collection of '70s synthesisers. "These instruments themselves are very fragile and mortal, they corrode and decay and behave in erratic ways. They do however, remain alive, for now."

Darren is the only musician on the album and the music conforms to a strict set of self-imposed rules; only one voice, only 12 tracks, only one polyphonic instrument. ¨Through this control and limited palette I found new melodies and structures. I wanted these old machines to guide me towards my most human record.¨

'A Real Human Being' is inspired by Darren's experience of life drawing. "Modern life encourages us to reduce people to images, jokes, memes. In life drawing, you're treating the person as a form, watching where the light and shadows fall, and then you're reminded that they are real, alive."

In 'No Lime for the Gin', a group of old friends is reunited in middle age, holding a half-hearted party where the talk is dominated by their hopes and broken dreams. 'Turn My Grey Tick Blue' is a wry look at the anxieties of dating in the digital age.

'You Were Always Here' ends the album on an optimistic note. Finding love late in life, the narrator ruminates on how the bad things happened for a reason, and that perhaps we always end up where we're supposed to be.

"In recent years my life has had its own upheavals and it would seem weird not to have this emerge in my music," says Darren. Home Time (2020) was a bright, acoustic, set of songs but was, at its heart, a break-up album. "I wanted to make fun of myself and of this kind of record."

You Will Not Die is a much slower and more brooding voyage through similar waters. It is a seductive, soulful collection of songs and instrumentals that sits among Darren's most emotive and intelligent work.

“bold and unique" The Sunday Times
“Hayman has hit a creative purple patch… a treat” Mojo
“uniquely intimate and very satisfying”  - BBC

Press for You Will Not Die

“a meditative conversation with oneself, ruminating over various aspects of growing older, amorous connections taking various courses, and the two ideas being somewhat dependent on each other. Kudos to Hayman for letting this discourse take its natural course, rather than frontload the album with its catchiest songs (many of which come towards its end, with the placement reflecting a certain positivity, obtained through such contemplation)” The Quietus

“it sees Hayman at his most withdrawn and introspective, uncovering new truths hidden in well-worn themes. This is something to be celebrated: when a songwriter of Hayman’s skill turns the spotlight back on himself – and in doing so, creates a new world in miniature scale – it’s worth taking note” Folk Radio

“Sonically, Hayman has achieved some really engaging, electronic, synth-based pieces. From the ominous, bass-heavy We Are Repaired, to the bouncy and bright Don’t Haunt Me, there are plenty of little great moments.” NARC

Snack Mag interview with Darren

Biography

Best known as the singer-songwriter of the phenomenally successful and much-loved Hefner, Darren Hayman is now 15 years, and over 14 albums, into an increasingly idiosyncratic career path, where he has taken a singular and erratic route through England’s tired and heartbroken underbelly. Darren is also writing the best tunes of his career; increasingly complex and mature songs, he is a thoughtful, concise and detailed songwriter.

Hayman’s first two solo albums, Table For One (2006) and The Secondary Modern (2007), charmed the critics – with The Guardian opining that Hayman’s profoundly English songwriting was “the match of Ray Davies”. Mostly joined by his band The Secondary Modern – a loose, urban folk collective, underpinning Hayman’s concrete sorrow with rural violins and tired pianos – he has released a series of albums, largely focused on place. This allowed for the exploration of nuanced subjects in detail, with a trio of albums based in Essex (2009’s Pram Town and 2010’s Essex Arms) and culminating in 2012’s The Violence, a 20 song account of the 17th century Essex witch trials. From this he developed an album of English Civil War folk songs of the time (2013’s Bugbears) and stayed with the historical theme for Chants For Socialists, which saw him set William Morris’ words to music, creating an album of kindness and hope that brought Hayman’s most critical acclaim yet. 

In 2016 Darren was awarded ‘Hardest Working Musician’ by the Association of Independent Music for his epic project on Thankful Villages, the 55 villages that survived the Great War with no casualties. 12 Astronauts tells the personal story of the only men to have walked on the Moon.

Darren Hayman - Home Time [12"/CD]

Artist: Darren Hayman
Title: Home Time
Format: 12” black vinyl and digipack CD
Cat#: Fika079LP | Fika079CD
Release date: 22nd May 2020
Bandcamp | Spotify

Darren Hayman returns with the new album Home Time, due out in June via Fika Recordings. An autobiographical album about break ups, the record is tender, honest and frequently funny. Darren set an 8 track, acoustic rule for the record. Everything sounds warm, close and intimate. Darren’s own love-worn, London voice is joined on every song by the sweet antipodean tones of Hannah Winter and Laura K, recording artists and songwriters themselves with Common or Garden and Fortitude Valley.

When Darren Hayman made his debut in 1997 with the acclaimed indie band Hefner his lyrical remit was the broken hearted. His early songs told the story of the lonesome and lost, and broken dreams of love on the back streets of London. After Hefner, Hayman’s palette grew to include a unique take on place and memory. In the early 2000s he wrote a trilogy of albums around the history of Essex. In 2012 he made an instrumental album describing the tranquillity of Lidos. In 2016 Darren was awarded ‘Hardest Working Musician’ by the Association of Independent Music for his epic project on Thankful Villages, the 55 villages that survived the Great War with no casualties. His most recent record, 12 Astronauts, tells the personal story of the only men to have walked on the Moon.

Darren is continually obsessed with the idea of what songs can be, and the stories they can tell. As he explains, “With projects like Thankful Villages, I became interested in what a record could be, using field recordings, interviews and songs to make sound collages. I wanted to return to the stricter art of song writing and try and make the twelve best compositions I could. I wanted to make useful songs, words that could be comfort, not just thoughts that would depress.”

The songs for Home Time were written over a three-year period but recorded quickly, and with love, in Darren’s home. Home Time is a fragile, subtle slice of prettiness. Wrap it around you.

Three digital singles will be released; ‘I Tried and I Tried and I Failed’, a song about the endless, circular nature of being human, ‘I Was Thinking About You’, a song about the uncontrollable nature of memory and how it continues to haunt us even when we consider the long buried, and ‘The Joint Account’, about how when trying to negotiate matters of the heart and mind, it is sometimes the physical objects that anchor us down in the mire.

A baby sister album I Can Travel Through Time with ten one-minute songs squeezed on a seven inch is coming out alongside it on the Formosa Punk label.

“Twenty-one years ago Hefner released one of the finest break-up and make-up albums of its era. To say that Hayman has done it again may be a bit reductive – in no sense at all is this a nostalgia trip, quite the opposite in fact – but nonetheless, this is one of the finest records of a consistently brilliant and varied solo career.” Folk Radio

“Sometimes you need to hear about someone else's problems to make you feel better about your own, and Hayman is especially good at that, leaving you humming in the process.” Brooklyn Vegan

“Hayman’s lyrics have always been unmistakable, with his narrative style and unabashed love of rhymes. If you liked Hefner, you will enjoy the return to their style on Home Time, which is engaging, touching and often funny.” The Quietus

“Hefner fans are going to be right at home here. But they should also appreciate a songwriter who has learned much over the past two decades – about his craft as a songwriter, and about himself as a performer.” For Folks Sake

“Delightful, delicate and poignantly relevant” Narc Magazine [4/5]

“The delights of Home Again is that Hayman sings about emotions that are easy to identify with but sometimes hard to articulate” Music OMH [4/5]

“An audibly beautiful listen, which has sad and comical aspects to it, Home Time is a great journey of a record.” The Fountain

“The playful, earnest indie pop that Hayman has built his career around is in full evidence on upbeat cuts like "I Was Thinking About You" and "I Tried and I Tried and I Failed," which ring with jaunty mandolin leads and sweet harmonies courtesy of collaborators Hannah Winter and Laura Kovic.” All Music [3/5]

“playful, charming and endearing” Americana UK

“full of literate, strummed indie songs enhanced by female backing vocals and a small ensemble that includes mandolin and violin. Thoughtful, wordy numbers such as “Because We Were Impossible” and the sweet Nikki Sudden-ish “The Joint Account” draw the listener in like a good book” The Arts Desk

“As with much of Home Time, The Joint Account feels both tender and achingly honest, it walks the lines of practicality and emotion, working its way through the pain and emerging, stumbling out the other side. This is Darren coming home to the songwriting that first found his fame, he’s a touch older, a touch wiser, and just as compelling as ever.” For The Rabbits

“'I Tried And I Tried And I Failed' is a key component of the album, with its gentle ruminations taking on a subtly meditative quality. Darren Hayman's indie pop roots shine through, with his melodic turn of phrase matched to a desire for originality that has only increased over time.” Clash Music premiere

“this playful little single. The track revolves around two lyrical lines, and that’s it; still, the thematic element kind of encourages you to get up and try and try again, no matter what the outcome…that seems to be the nature of all our lives, making sense of our failures” Austin Town Hall

Darren Hayman - Home Time small.jpg

Darren Hayman - I Was Thinking About You [Digital]

Artist: Darren Hayman
Title: I Was Thinking About You
Format: Digital single
Cat#: Fika079SG3
Release date: 1st May 2020
Bandcamp | Spotify

Darren Hayman returns with the new album Home Time, due out on 22nd May via Fika Recordings. An autobiographical album about break ups, the record is tender, honest and frequently funny. Darren set an 8 track, acoustic rule for the record. Everything sounds warm, close and intimate. Darren’s own love-worn, London voice is joined on every song by the sweet antipodean tones of Hannah Winter and Laura K, recording artists and songwriters themselves with Common or Garden and Fortitude Valley.

My new album ‘Hometime’ was titled before all of this hullabaloo started. My next album is provisionally title ‘The New Rules’ which also might turn out to be accidentally prophetic.

The album and this song, ‘I Was Thinking About You’ are actually about divorce and breakup but they are also about retreat and the inner space we occupy when troubled.
I use that space a lot. I have a friend Paul who calls it ‘spending time in the back office.’

Also coincidentally to the lockdown and ideas of ‘home’, all three videos for this album were made inside my flat. The first two were made before we went into isolation but the video for ‘I Was Thinking About You’ was made in the first few weeks of the Covid 19 crisis in Britain.

I’ve always worked well with constraints and limitations and luckily that gives me a super power in these strange times. The six members of my band recorded their footage in their homes and sent them to me. I wanted to make it look a bit better then the divided ‘zoom’ style videos we’re getting used to now.

The band look like they’re having a lot more fun then they do when they are actually with me.

I hope you like it.

Darren

When Darren Hayman made his debut in 1997 with the acclaimed indie band Hefner his lyrical remit was the broken hearted. His early songs told the story of the lonesome and lost, and broken dreams of love on the back streets of London. After Hefner, Hayman’s palette grew to include a unique take on place and memory. In the early 2000s he wrote a trilogy of albums around the history of Essex. In 2012 he made an instrumental album describing the tranquillity of Lidos. In 2016 Darren was awarded ‘Hardest Working Musician’ by the Association of Independent Music for his epic project on Thankful Villages, the 55 villages that survived the Great War with no casualties. His most recent record, 12 Astronauts, tells the personal story of the only men to have walked on the Moon.

Darren is continually obsessed with the idea of what songs can be, and the stories they can tell. As he explains, “With projects like Thankful Villages, I became interested in what a record could be, using field recordings, interviews and songs to make sound collages. I wanted to return to the stricter art of song writing and try and make the twelve best compositions I could. I wanted to make useful songs, words that could be comfort, not just thoughts that would depress.”

The songs for Home Time were written over a three-year period but recorded quickly, and with love, in Darren’s home. Home Time is a fragile, subtle slice of prettiness. Wrap it around you.

Three digital singles will be released; ‘I Tried and I Tried and I Failed’, a song about the endless, circular nature of being human, ‘I Was Thinking About You’, a song about the uncontrollable nature of memory and how it continues to haunt us even when we consider the long buried, and ‘The Joint Account’, about how when trying to negotiate matters of the heart and mind, it is sometimes the physical objects that anchor us down in the mire.

A baby sister album I Can Travel Through Time with ten one-minute songs squeezed on a seven inch is coming out alongside it on the Formosa Punk label.

I Was Thinking About You copy.jpg

Darren Hayman - The Joint Account [Digital]

Artist: Darren Hayman
Title: The Joint Account
Format: Digital single
Cat#: Fika079SG2
Release date: 3rd April 2020
Bandcamp | Spotify

Darren Hayman returns with the new album Home Time, due out on 22nd May via Fika Recordings. An autobiographical album about break ups, the record is tender, honest and frequently funny. Darren set an 8 track, acoustic rule for the record. Everything sounds warm, close and intimate. Darren’s own love-worn, London voice is joined on every song by the sweet antipodean tones of Hannah Winter and Laura K, recording artists and songwriters themselves with Common or Garden and Fortitude Valley.

"Whilst trying to negotiate matters of the heart and mind it is sometimes the physical objects that anchor us down in the mire. 

The unpacking boxes, the changing of addresses, the informing of friends; there is a mine waiting to be detonated in every corner. Never more so than in a photo album. These images we created with the sole intention of keeping forever. We want to give the briefest moments the permanence.

But what to do with them once everything else falls apart? What should we do with these monuments of love?"

When Darren Hayman made his debut in 1997 with the acclaimed indie band Hefner his lyrical remit was the broken hearted. His early songs told the story of the lonesome and lost, and broken dreams of love on the back streets of London. After Hefner, Hayman’s palette grew to include a unique take on place and memory. In the early 2000s he wrote a trilogy of albums around the history of Essex. In 2012 he made an instrumental album describing the tranquillity of Lidos. In 2016 Darren was awarded ‘Hardest Working Musician’ by the Association of Independent Music for his epic project on Thankful Villages, the 55 villages that survived the Great War with no casualties. His most recent record, 12 Astronauts, tells the personal story of the only men to have walked on the Moon.

Darren is continually obsessed with the idea of what songs can be, and the stories they can tell. As he explains, “With projects like Thankful Villages, I became interested in what a record could be, using field recordings, interviews and songs to make sound collages. I wanted to return to the stricter art of song writing and try and make the twelve best compositions I could. I wanted to make useful songs, words that could be comfort, not just thoughts that would depress.”

The songs for Home Time were written over a three-year period but recorded quickly, and with love, in Darren’s home. Home Time is a fragile, subtle slice of prettiness. Wrap it around you.

Three digital singles will be released; ‘I Tried and I Tried and I Failed’, a song about the endless, circular nature of being human, ‘I Was Thinking About You’, a song about the uncontrollable nature of memory and how it continues to haunt us even when we consider the long buried, and ‘The Joint Account’, about how when trying to negotiate matters of the heart and mind, it is sometimes the physical objects that anchor us down in the mire.

A baby sister album I Can Travel Through Time with ten one-minute songs squeezed on a seven inch is coming out alongside it on the Formosa Punk label.

Darren Hayman - The Joint Account.jpg