A DIY INDIEPOP VINYL & CASSETTE LABEL

Arborist - Looking For Love [12"/CD]

Artist: Arborist
Title: Looking For Love
Format: 12” white vinyl | digifile CD | digital
Cat#: Fika122
Release date: 16th October 2026
Bandcamp

Love or its absence dominates the intimate songs on the new album from ARBORIST – the musical outlet of Mark McCambridge. Looking For Love, Arborist’s fourth album of exquisitely inventive Americana, places us firmly in his hometown of Belfast, allowing it to act as a microcosm of the wider-world, with all its foibles and charms. We find fictional protagonists scouring the dark corners of the city, wiling-away afternoons in strip clubs, wandering the streets in all weather and reflecting on the harsh reality of modern society, all in search of an elusive love – emphasising our need for it now more than ever.

Looking for Love is ARBORIST’s first album to be self-produced by McCambridge, largely from his home studio in Belfast – and at times it feels like we are in the room with him. It’s a different kind of record for him as previously he has always sought collaboration; whether it be with Kim Deal who chose to sing intertwined harmony on his debut single “Twisted Arrow”, or recording in The Curfew Tower owned by The KLF’s Bill Drummond who described Mark’s songwriting as being  “riven with more loss than any record since Leonard Cohen quit this world”, and who Matthew E White and his Spacebomb band collaborated with to such astonishing effect on the previous Arborist LP, 2023’s An Endless Sequence of Dead Zeros, winner of the prestigious Northern Ireland Music Prize. This time, with no outside producer steering the way, McCambridge found that the quiet hours were where he felt most at ease, despite periods of trial and error, and, by his own admission, moments of feeling genuinely lost in it all.

Despite playing many of the parts himself, McCambridge still called upon old friends from the community around him; Spacebomb’s resident bassist Cameron Ralston (Bonnie Light Horseman, Hiss Golden Messenger) again features throughout the record, alongside Eamon Ferris (The Waterboys) on drums, with the great and the good from Belfast’s vibrant music scene. Grainne Meyer plays concert harp and Aga Olek plays violin for the quasi-title track “Looking 4 Love” – an off-kilter love-letter to Belfast. Meilana Gillard provides a sleazy saxophone on “Bye Bye Johnny Cash” – a seedy tale of a man obsessively visiting a dancer in a club, and The Larne Community Youth Choir provide backing vocals for “Go Kill The Fatted Calf” – a song Mark wrote about his son growing up, a take on the parable of the prodigal son, with Jonny Ashe’s blistering guitar solo adding an album highlight. The Errigal Ensemble String Quartet and Aisling Agnew’s breathtaking flute solo feature on “What Is It You’re Asking” – a song about love, or its absence, both personally and universally in these times.

McCambridge was recently honoured with a “Fellowship” by the Seamus Heaney Centre at Queen's University Belfast where he collaborated with such illustrious names from the literary world as Nick Laird, Caoilinn Hughes and Conor McPherson. Through the University he was given access to the music department's Steinways and pipe organs, and decided to try one out for the album’s centrepiece “I’ve Been A Flaneur”. As Mark explains, "The drone on the pipe organ — and the sound of it starting and stopping — was so visceral that I decided to try a half-written song against it right there and then, and this came out in one take… The song was a breakthrough artistically - I don't think I'll ever record in the same way again after this."

The album was engineered by longtime collaborator Ben McAuley (Van Morrison) and mixed by Jimmy Robertson (Anna Calvi, Beth Gibbons, Fat Dog). The results are staggering, devastating and uplifting in equal measure, calling to mind albums such as Songs Ohia’s Magnolia Electric Co., The Divine Comedy’s Regeneration, The Blue Nile’s Hats and Wilco’s Ode to Joy, as well as early-70s records from John Cale, John Lennon and Bill Fay.

Belfast native Mark McCambridge played his first show as Arborist supporting James Yorkston. A solo tour followed, and impressive performances led to notable support slots alongside Low, Cat Power, Echo & The Bunnymen and Guy Garvey. Arborist's debut single, the Americana-tinged "Twisted Arrow," caught the attention of the critics with an astonishing duet with Kim Deal of The Breeders. The debut album Home Burial (2016) and its follow-up, A Northern View, both received glowing praise, from The Guardian ("instant classic" ★★★★) to MOJO ("devastatingly bleak… upliftingly beautiful" ★★★★) to Uncut (8/10), with BBC 6 Music play from Cerys Matthews, Cillian Murphy, Lauren Laverne, Radcliffe and Maconie and Gideon Coe — and Steve Lamacq calling single "Taxi" "one of those records that makes you immediately stop what you're doing." He went on to even greater success with the 2023 Northern Irish Music Prize winning third LP, An Endless Sequence of Dead Zeroes, which was recorded at SpaceBomb Studios in Virginia with musician and producer Matthew E White. For his fourth LP, Looking For Love, he has signed with Fika Recordings and with a tour approaching in November, 2026 looks set to be a seminal year for the Irish artist.

"A staggering debut of depth and substance" - UNCUT

"An instant classic" - The Guardian

"Devastatingly bleak…upliftingly beautiful" - Mojo

"A poignant, beautiful record" - Lauren Laverne BBC6Music

Arborist - Bye Bye, Johnny Cash [Digital]

Artist: Arborist
Title: Bye Bye, Johnny Cash
Format: digital single
Cat#: Fika122SG2
Release date: 16th September 2026
Bandcamp | Spotify

“Bye Bye, Johnny Cash” is the third single to be taken from the new album Looking For Love, from ARBORIST – the musical outlet of Mark McCambridge. Directed by longtime collaborator Tristan Crowe, the video is sophisticated and louche (and possibly NSFW), beautifully shot in the dark, ornate interior of Belfast’s Rattlebag cocktail bar and featuring the talents of Derry-based burlesque dancer Audrey Blue. The song is the seedy tale of a man obsessively visiting a dancer in a strip club, one of the enthralling cast of fictional characters in McCambridge’s study of the underbelly of life in his home city of Belfast. Atmospheric and evocative - with a dash of sleaze accentuated by Meilana Gillard’s sensual saxophone solo - “Bye Bye, Johnny Cash" is exquisitely uplifting despite the tawdry subject matter. 

McCambridge says of the video: "The song Bye Bye, Johnny Cash was born of a sordid tale from a friend - it deals with another kind of 'love' and loneliness to those found elsewhere on the album. As the band play, the audience are bored and distracted, only to turn and become enraptured with the burlesque dancer lurking behind them - what hope do we have of someone spending 4m30 watching a music video when sex is just a click away? And the song's denouement speaks to our collective fear that you just never know who's watching.”

Dancer Audrey Blue says: "Was a pleasure to weave burlesque across mediums through Arborist's sound, paired with the macabre backdrop of Rattlebag".

Arborist’s fourth album of exquisitely inventive Americana is the first album to be self-produced by McCambridge himself, largely from his home studio in Belfast – late night recordings lending the album a crepuscular, stark atmosphere and the feeling that we are present with him there in the room.

These quiet hours are clearly where McCambridge feels most at ease - after all, this is a singer Bill Drummond has described as writing songs,“riven with more loss than any record since Leonard Cohen quit this world”, who Kim Deal chose to sing in beautiful, intertwined harmony with on debut single “Twisted Arrow” and who Matthew E White and his Spacebomb band collaborated with to such astonishing effect on the previous Arborist LP, the Northern Irish Music Prize winning An Endless Sequence of Dead Zeroes.

Spacebomb’s resident bassist Cameron Ralston (Bonnie Light Horseman, Hiss Golden Messenger) again features throughout, alongside Eamon Ferris (The Waterboys) on drums and Ben McAuley (Van Morrison) engineering. It is close-mic-ed and intimate, calling to mind albums such as Songs Ohia’s Magnolia Electric Co., The Divine Comedy’s Regeneration, The Blue Nile’s Hats and Wilco’s Ode to Joy, as well as early-70s records from John Cale, John Lennon and Bill Fay.

Recently honoured with a ‘Fellowship’ by the Seamus Heaney Centre at Queen’s University in Belfast - alongside author Caoilinn Hughes and playwright Conor McPhearson – 2026 looks set to be a seminal year for the Irish artist.

Looking For Love is ARBORIST’s first album to be self-produced by McCambridge, largely from his home studio in Belfast – and at times it feels like we are in the room with him. It’s a different kind of record for him as previously he has always sought collaboration; whether it be with Kim Deal who chose to sing intertwined harmony on his debut single “Twisted Arrow”, or recording in The Curfew Tower owned by The KLF’s Bill Drummond who described Mark’s songwriting as being  “riven with more loss than any record since Leonard Cohen quit this world”, and who Matthew E White and his Spacebomb band collaborated with to such astonishing effect on the previous Arborist LP, 2023’s An Endless Sequence of Dead Zeros, winner of the prestigious Northern Ireland Music Prize. This time, with no outside producer steering the way, McCambridge found that the quiet hours were where he felt most at ease, despite periods of trial and error, and, by his own admission, moments of feeling genuinely lost in it all.

Despite playing many of the parts himself, McCambridge still called upon old friends from the community around him; Spacebomb’s resident bassist Cameron Ralston (Bonnie Light Horseman, Hiss Golden Messenger) again features throughout the record, alongside Eamon Ferris (The Waterboys) on drums, with the great and the good from Belfast’s vibrant music scene. The album was engineered by longtime collaborator Ben McAuley (Van Morrison) and mixed by Jimmy Robertson (Anna Calvi, Beth Gibbons, Fat Dog). The results are staggering, devastating and uplifting in equal measure, calling to mind albums such as Songs Ohia’s Magnolia Electric Co., The Divine Comedy’s Regeneration, The Blue Nile’s Hats and Wilco’s Ode to Joy, as well as early-70s records from John Cale, John Lennon and Bill Fay.

More about Arborist

Belfast native Mark McCambridge played his first show as Arborist supporting James Yorkston. A solo tour followed, and impressive performances led to notable support slots alongside Low, Cat Power, Echo & The Bunnymen and Guy Garvey. Arborist's debut single, the Americana-tinged "Twisted Arrow," caught the attention of the critics with an astonishing duet with Kim Deal of The Breeders. The debut album Home Burial (2016) and its follow-up, A Northern View, both received glowing praise, from The Guardian ("instant classic" ★★★★) to MOJO ("devastatingly bleak… upliftingly beautiful" ★★★★) to Uncut (8/10), with BBC 6 Music play from Cerys Matthews, Cillian Murphy, Lauren Laverne, Radcliffe and Maconie and Gideon Coe — and Steve Lamacq calling single "Taxi" "one of those records that makes you immediately stop what you're doing." He went on to even greater success with the 2023 Northern Irish Music Prize winning third LP, An Endless Sequence of Dead Zeroes, which was recorded at SpaceBomb Studios in Virginia with musician and producer Matthew E White. For his fourth LP, Looking For Love, he has signed with Fika Recordings and with a tour approaching in November, 2026 looks set to be a seminal year for the Irish artist.

"A staggering debut of depth and substance" - UNCUT

"An instant classic" - The Guardian

"Devastatingly bleak…upliftingly beautiful" - Mojo

"A poignant, beautiful record" - Lauren Laverne BBC6Music

"A poignant, beautiful record" - Lauren Laverne BBC6Music

Adam Ross - Superfan [Digital]

Artist: Adam Ross
Title: Superfan
Format: digital
Cat#: Fika117EP1
Release date: 15th September 2026
Bandcamp | Spotify

The new EP contains three songs captured during the recording sessions for my album Bring On The Apathy. Leftovers, if you will. But sometimes leftovers are delicious. These are the Boxing Day turkey sandwiches to my album's Christmas Day meal. I originally thought the album was going to be slower and more melancholic overall, but these songs ended up getting kicked out of the way by more upbeat numbers like Lost In The Daylight and Kites on the finished record. These songs are for the superfans.

As with Bring On The Apathy, these songs were recorded onto tape in an analogue studio called Green Door in Glasgow. Samuel J. Smith was at the helm and the band features Owen Curtis Williams on drums, Cameron Maxwell on bass, Pete MacDonald on piano, Pedro Cameron on violin, Gill Fleetwood on harp and vocals, Amanda Nizich on vocals and C Duncan on vocals and vocal arrangements. We recorded most of it live, all in the room together, with a few overdubs. I'm on tour this month and next.
 
- Adam

Adam Ross is an indie-folk songwriter based in north-east Scotland. He is a solo artist and has also led the cult indie band Randolph's Leap for over a decade, releasing music with legendary Fife label Fence Records and Lost Map as well as Olive Grove Records and Fika Recordings. He is known for his unique brand of articulate lyricism which blends humour, poignancy, wordplay and offbeat stories.

Adam released a debut solo album Staring At Mountains in 2022, a sparse trio album featuring Pedro Cameron and Jenny Sturgeon. This was followed by the 2024 release of a critically acclaimed second solo album, Littoral Zone, recorded and produced by composer and multi-instrumentalist Andrew Wasylyk. The album further cemented Adam's status as one of the country's most original songwriters. He released a standalone synth-pop single Drink The First Light featuring Mercury Prize nominated C. Duncan in 2025 and Adam’s third album, Bring On The Apathy, was released on 15th May 2026 via Fika Recordings 

Adam Ross live dates
19 September - Glasgow Glad Cafe (full band)
25 September - Edinburgh The Kitchen Sings (duo with Gillian Fleetwood)
26 September - Marple Traders (duo with Gillian Fleetwood)
1 October - London Green Note (solo)
2 October - Coventry The Tin (solo)
3 October - Rainham The Oast (solo)
4 October - Eaglescliffe The Waiting Room (solo)
22 October - Kirkcaldy Acoustic Music Club (duo with Gillian Fleetwood)
3 November - Montrose Folk Club (full band)

Arborist - The Taming of Horses [Digital]

Artist: Arborist
Title: The Taming of Horses
Format: digital single
Cat#: Fika122SG1
Release date: 19th August 2026
Bandcamp

Arborist - the musical outlet of singer-songwriter Mark McCambridge - is delighted to announce the new album Looking For Love will be released via Fika Recordings on 16 October 2026. Arborist’s fourth album of exquisitely inventive Americana places us firmly in his hometown of Belfast, allowing it to act as a microcosm of the wider-world, with all its foibles and charms. We find fictional protagonists scouring the dark corners of the city, wiling-away afternoons in strip clubs, wandering the streets in all weather and reflecting on the harsh reality of modern society, all in search of an elusive love – emphasising our need for it now more than ever.

He shares the single “The Taming of Horses”, expansive, mesmerising and instantly hummable with lush hammond organ adding a certain sophistication to a song that is sprawling in theme. It was written back in 2022, during late nights watching Jacob Brownowski’s landmark 70s epic documentary series The Ascent of Man, which Mark describes as “just sensational television that we can show to Extraterrestrials when they come, to get them up to speed.”  The song is somehow simultaneously disquieting and uplifting - we deal with humanity’s proclivity to repeat its mistakes but are lifted above it all to a plain beyond time itself.

Looking For Love is ARBORIST’s first album to be self-produced by McCambridge, largely from his home studio in Belfast – and at times it feels like we are in the room with him. It’s a different kind of record for him as previously he has always sought collaboration; whether it be with Kim Deal who chose to sing intertwined harmony on his debut single “Twisted Arrow”, or recording in The Curfew Tower owned by The KLF’s Bill Drummond who described Mark’s songwriting as being  “riven with more loss than any record since Leonard Cohen quit this world”, and who Matthew E White and his Spacebomb band collaborated with to such astonishing effect on the previous Arborist LP, 2023’s An Endless Sequence of Dead Zeros, winner of the prestigious Northern Ireland Music Prize. This time, with no outside producer steering the way, McCambridge found that the quiet hours were where he felt most at ease, despite periods of trial and error, and, by his own admission, moments of feeling genuinely lost in it all.

Despite playing many of the parts himself, McCambridge still called upon old friends from the community around him; Spacebomb’s resident bassist Cameron Ralston (Bonnie Light Horseman, Hiss Golden Messenger) again features throughout the record, alongside Eamon Ferris (The Waterboys) on drums, with the great and the good from Belfast’s vibrant music scene. The album was engineered by longtime collaborator Ben McAuley (Van Morrison) and mixed by Jimmy Robertson (Anna Calvi, Beth Gibbons, Fat Dog). The results are staggering, devastating and uplifting in equal measure, calling to mind albums such as Songs Ohia’s Magnolia Electric Co., The Divine Comedy’s Regeneration, The Blue Nile’s Hats and Wilco’s Ode to Joy, as well as early-70s records from John Cale, John Lennon and Bill Fay.

More about Arborist

Belfast native Mark McCambridge played his first show as Arborist supporting James Yorkston. A solo tour followed, and impressive performances led to notable support slots alongside Low, Cat Power, Echo & The Bunnymen and Guy Garvey. Arborist's debut single, the Americana-tinged "Twisted Arrow," caught the attention of the critics with an astonishing duet with Kim Deal of The Breeders. The debut album Home Burial (2016) and its follow-up, A Northern View, both received glowing praise, from The Guardian ("instant classic" ★★★★) to MOJO ("devastatingly bleak… upliftingly beautiful" ★★★★) to Uncut (8/10), with BBC 6 Music play from Cerys Matthews, Cillian Murphy, Lauren Laverne, Radcliffe and Maconie and Gideon Coe — and Steve Lamacq calling single "Taxi" "one of those records that makes you immediately stop what you're doing." He went on to even greater success with the 2023 Northern Irish Music Prize winning third LP, An Endless Sequence of Dead Zeroes, which was recorded at SpaceBomb Studios in Virginia with musician and producer Matthew E White. For his fourth LP, Looking For Love, he has signed with Fika Recordings and with a tour approaching in November, 2026 looks set to be a seminal year for the Irish artist.

"A staggering debut of depth and substance" - UNCUT

"An instant classic" - The Guardian

"Devastatingly bleak…upliftingly beautiful" - Mojo

"A poignant, beautiful record" - Lauren Laverne BBC6Music

"A poignant, beautiful record" - Lauren Laverne BBC6Music

Jacob Bronowski's 1970s BBC series The Ascent of Man was the spark that began the writing of the song The Taming of Horses a few years ago. So, frequent collaborator Tristan Crowe and I wanted to reflect this with the use of archive footage, taking us on the short journey from the Big Bang to an unknown future. We pass through the Garden of Eden, Eadweard Muybridge's 'The Horse in Motion' to humanity's leap into space and the endless, unsettling creep of technology. 
Mark, Arborist

Freschard & Stanley Brinks - Pole Fitness [12"]

Artist: Freschard & Stanley Brinks
Title: Pole Fitness
Format: 12" album on green vinyl
Cat#: Fika121LP
Release date: 24th July 2026
Bandcamp

STANLEY BRINKS

By the late 90s he’d become a full time singer-songwriter – André Herman Düne – as part of three piece indie-rock band, Herman Düne alongside his brother, David-Ivar. Several albums and Peel sessions later and after a decade of touring Europe, mostly with American songwriters such as Jeffrey Lewis, Calvin Johnson and early Arcade Fire he settled in Berlin. The early carnival music of Trinidad became a passion, and in the early 21st century he became the unquestioned master of European calypso, changing his name to Stanley Brinks.

Under this moniker he has recorded well in excess of 100 albums, collaborated with the New York Antifolk scene on numerous occasions, recorded and toured with traditional Norwegian musicians, and played a lot with The Wave Pictures.

FRESCHARD grew up in a farm in French Burgundy. Aged 18 she moved to Paris, where she baked pies and cakes in a cafe. There, a local musician and regular customer called Stanley Brinks wrote a few songs for her to sing. Homeless in Paris, she saved up just enough money to get herself a ticket to New York. There she found an old electric guitar and started writing her own songs. In 2004 she moved to Berlin, where she recorded her first LP, "Alien Duck". Her second album, "Click Click", recorded in 2006, features electric guitar by Stanley Brinks. On her third album, she plays the drums herself. On her fourth “Shh...” she also plays the flute, and she breaks out the washboard on her fifth “Boom Biddy Boom”.

Freschard & Stanley Brinks - Hotel Berlin [12"]

Artist: Freschard & Stanley Brinks
Title: Hotel Berlin
Format: 12" album on pink vinyl
Cat#: Fika120LP
Release date: 24th July 2026
Bandcamp

STANLEY BRINKS

By the late 90s he’d become a full time singer-songwriter – André Herman Düne – as part of three piece indie-rock band, Herman Düne alongside his brother, David-Ivar. Several albums and Peel sessions later and after a decade of touring Europe, mostly with American songwriters such as Jeffrey Lewis, Calvin Johnson and early Arcade Fire he settled in Berlin. The early carnival music of Trinidad became a passion, and in the early 21st century he became the unquestioned master of European calypso, changing his name to Stanley Brinks.

Under this moniker he has recorded well in excess of 100 albums, collaborated with the New York Antifolk scene on numerous occasions, recorded and toured with traditional Norwegian musicians, and played a lot with The Wave Pictures.

FRESCHARD grew up in a farm in French Burgundy. Aged 18 she moved to Paris, where she baked pies and cakes in a cafe. There, a local musician and regular customer called Stanley Brinks wrote a few songs for her to sing. Homeless in Paris, she saved up just enough money to get herself a ticket to New York. There she found an old electric guitar and started writing her own songs. In 2004 she moved to Berlin, where she recorded her first LP, "Alien Duck". Her second album, "Click Click", recorded in 2006, features electric guitar by Stanley Brinks. On her third album, she plays the drums herself. On her fourth “Shh...” she also plays the flute, and she breaks out the washboard on her fifth “Boom Biddy Boom”.

June 3: Norman Blake + Adam Ross + Robin Ince at The Harrison

A very special night for the launch of Adam Ross' most recent solo album Bring On Your Apathy, with friends Norman Blake and Robin Ince.
Tickets from wegottickets.com/fikarecordings

Norman Blake is best known as the guitarist, vocalist, and co-founder of the celebrated Scottish alternative rock band Teenage Fanclub, though he's also amassed an impressive resume of side projects.

During his downtime from Teenage Fanclub, Norman Blake often busied himself with a wide range of collaborations and side projects. In tandem with Euros Childs of Gorky's Zygotic Mynci, he formed the group Jonny. With Eugene Kelly of the Vaselines and Eugenius, Blake recorded as the Famous Monsters. Francis MacDonald, Blake's BMX Bandits and Teenage Fanclub bandmate who has also worked with Belle and Sebastian, has performed with Blake under the moniker Frank Blake. After moving to Canada in 2009, Blake started writing songs with Joe Pernice of the Pernice Brothers, and the two recorded and toured as the New Mendicants. And Blake has enjoyed an especially fruitful partnership with Jad Fair of the legendary lo-fi group Half Japanese. In addition to Teenage Fanclub cutting an album with Fair, Blake and Fair teamed up for a 2015 duo album, Yes, and Fair, Blake, and the Japanese group Tenniscoats joined forces for two albums together, 2014's How Many Glasgow and 2017's Raindrops.

Adam Ross is an indie-folk songwriter based in north-east Scotland. He is a solo artist and has also led the cult indie band Randolph's Leap for over a decade, releasing music with legendary Fife label Fence Records and Lost Map as well as Olive Grove Records and Fika Recordings. He is known for his unique brand of articulate lyricism which blends humour, poignancy, wordplay and offbeat stories.

Adam released a debut solo album Staring At Mountains in 2022 which was followed by the 2024 release of a critically acclaimed second solo album, Littoral Zone, produced by multiple Scottish Album Of The Year Award nominated composer and multi-instrumentalist Andrew Wasylyk. The album further cemented Adam's status as one of the country's most original songwriters. He released a standalone synth-pop single Drink The First Light featuring C. Duncan in 2025 and Adam’s third album is due out in 2026.

Robin Ince is many things. A multi award winning comedian, author, broadcaster, bibliomaniac and a populariser of scientific ideas. He is perhaps best known as the former co-host and co-creator of the Sony Gold Award winning BBC Radio 4 series The Infinite Monkey Cage with Professor Brian Cox. As a stand up Robin has toured the world and as an author he has written four acclaimed books, including Bibliomaniac, earned him the prestigious Booksellers Association Author of the Year award. His fifth, Normally Weird and Weirdly Normal is published in May 2025. He co-created the Cosmic Shambles Network and created the groundbreaking science variety night Nine Lessons and Carols for Curious People which has been adapted worldwide. He has received an Honorary Fellowship of UCL, an honorary doctorate from Royal Holloway College (University of London), and is a fellow of the British Science Association.

May 27: Carla J Easton at Paper Dress Vintage

Tickets from wegottickets.com/fikarecordings

Support from Schande and Count Jaakola.

Join us for the London launch of Carla J. Easton's new album!

I Think That I Might Love You, Carla’s fifth solo album – it is still a pop album at heart, but also her first ‘guitar’ record. Produced by ​​Howard Bilerman (Godspeed You! Black Emperor, Wolf Parade, Leonard Cohen, The Weather Station) the album finds Carla gathering up friends old and new to craft a record that feels like a natural but also significant leap forward.

Carla J. Easton is an award nominated singer-songwriter, releasing 4 critically acclaimed solo albums. She is also a member of TeenCanteen and Poster Paints, and has written songs/music for Belle & Sebastian, BMX Bandits, Hen Hoose & National Theatre Scotland. Championed by BBC6 Music, she has performed at festivals across the UK and internationally (SXSW, Pop Montreal, The Great Escape, Celtic Connections, Indiefjord and Pop Cologne) touring the UK with Camera Obscura, The Vaselines and Kim Richey.

In 2018, she released the SAY Award Shortlisted 'Impossible Stuff’, produced by Howard Bilerman (Arcade Fire/British Sea Power/Leonard Cohen) which featured singles that achieved Record of the Day, Guardian Track of the Week and BBC Scotland Single of the Week.

Her third album 'WEIRDO' was released in 2020 via Olive Grove Records - a record that Bandcamp Daily described as “all volume needles buried in the red, glitter bursting from every chorus.” The Line of Best Fit praised its “maximalist” tendencies while hinting that Scotland has found its own answer to the pop titans Carly Rae Jepsen and Taylor Swift and Pitchfork called it “bubblegum pop [with] the scrappy glamour of a homemade theatrical production”.

Her latest project Poster Paints was formed with Simon Liddell (Frightened Rabbit) during 2020. Their critically acclaimed self titled debut album was released by Ernest Jennings October 2022.

Her fourth studio album ‘SUGAR HONEY’ was released in 2023 via Olive Grove Records and featured the singles ‘One Week’, ‘Blooming 4U’ and the album title track ‘Sugar Honey’.

Carla is a member of the Hen Hoose Collective and Co-Director of the feature-length documentary ‘Since Yesterday: The Unsung Pioneers of Scottish Pop’.

SCHANDE

A London trio, Schande are known for writing discordantly catchy, melodic indie rock- that joyous blend of 90s indie at its best, mixed with a unique element of the unknown.

What started as a solo project (“Jen Schande”) in the UK during the early 2000s quickly became a band, and Jen ditched the solo moniker to reflect the collective. They released a split 7” with the Cribs and opened for bands like The Gossip. After returning for a time to the US where a stateside incarnation formed, opening for bands such as The Thermals and Against Me!, Jen moved back to her home state of California and settled in San Francisco. Upon moving to London in 2013, she returned to playing solo.

In 2015 Schande was rebirthed as full band, in its most impressive formation to date. Now featuring London promoter and DIY staple Jeremy Sheppard (Ace Bushy Striptease, Flemmings, Night of the Triffids) on drums and Giovanni Villaraut on bass, each member’s musicianship adds its own idiosyncratic touches to create a collective sound.

COUNT JAAKOLA

Count Jaakola is the project of London-based Finnish songwriter Tiia Jaakola. From the humdrum to the huge; Tiia explores heartbreak, disappointment, climate change, and dying house plants. The record plays with contrasts, light and shadow, fizz and gloom. Keys melt into darker textures before guitars and drums lift them back into sparkle. It’s heaviest moment is the title track, written in an airport bathroom after Tiia’s father passed, yet even here, hope breaks through in irresistible vocal harmonies and inventive melodies.

Adam Ross - Bring On The Apathy [12"/CD]

Artist: Adam Ross
Title: Bring On The Apathy
Format: 12” green vinyl | digifile CD | digital
Cat#: Fika117
Release date: 15th May 2026
Bandcamp

Fika Recordings are pleased to present Bring On The Apathy, the third solo record from Scottish songwriter Adam Ross, out 15th May. 

The album was recorded onto tape, using traditional analogue techniques at Glasgow’s Green Door Studio with Samuel J. Smith. It showcases some of the most emotionally open, lyrically deft and characterful songwriting so far from one of Scotland’s most accomplished writers. The vintage recording approach brings a warmth and intimacy to a record which is in equal parts raw and organic while also beautifully arranged and performed as Adam is joined by a raft of excellent collaborators.

The album itself is a reaction. Whether it be in the title, the lyrical content or the method in which the sounds were captured, the listener will find elements of pushback from Adam against the world around him:

“I was feeling fairly down and uninspired about the musical landscape” Adam explains. “The risk with digital recording where every instrument is overdubbed separately is that it can end up sounding metronomic, sterile and lacking personality or a sense of space. I also started to get a bit freaked out by the topic of AI-generated music and the insidious, creeping impact it’s already having. I therefore decided that, as a bit of a protest, I wanted to make something that sounded extra-specially human and hand-crafted, where you could hopefully hear the interplay between musicians.”

For this reason, Adam decided to record the majority of the album live, as a band, playing together in the same room without a click track. “I’d put a band together to tour my last album, Littoral Zone, and I really enjoyed the way we all worked together. I don’t like to micro-manage rehearsals or over-arrange songs and I realised that everyone in the band is very creative and instinctive, rather than being robotic “session musicians”. They’re all great at improvising and adding ideas without ever impinging or encroaching on what the song is trying to convey. I was really keen to capitalise on this with the new record and it suddenly became very clear that an analogue studio would be the ideal way to capture these little connections in a way that felt intimate and authentic.” 

Green Door Studio was chosen as the destination as it specialises in analogue sound production but it had an extra significance for Adam. “Green Door was the first studio I ever recorded in, back in 2009. My band Randolph’s Leap got a demo-development grant and we recorded our first EP there. The band had never actually been in the same room as each other and we were very naïve and unprepared. Recording to tape can be quite unforgiving and, in truth, we probably weren’t ready for it. It took me 16 years to build up the experience and courage to go back!” 

This time around, the “unforgiving” nature of tape recording became an inspiration. “The musicians on the record are such great players that they rarely make mistakes, so there was a confidence there that we wouldn’t need to rely on copious amounts of editing or post-production, which isn’t always possible with tape anyway. If the songs sped up or slowed down a bit or you heard the piano stool creak or someone breathing then that was all fine. I wanted it to sound as natural and “real” as possible. The vintage equipment brings a delicious amount of depth to things like the drums. I’m not sure I can go back to digital now!” 

The core band consisted of Owen Curtis-Williams on drums, Cameron Maxwell on bass, Pedro Cameron on violin, Gillian Fleetwood on harp and (long-time collaborator with Randolph’s Leap) Pete MacDonald on piano. Mercury Prize-nominated artist C Duncan was drafted in to write and perform backing vocal arrangements along with Amanda Nizich and Gillian Fleetwood.

Adam says “I made this album for myself and tried not to second-guess things when it came to stylistic choices. I’d been listening to a lot of Bob Dylan, Karen Dalton and Bill Callahan records and I thought it might be interesting to apply those sorts of influences to my brand of Scottish quirk-pop”. 

The title, ‘Bring On The Apathy’, sums up the mood surrounding the creation of the album. “I couldn’t get away from the sense that people are feeling quite jaded. I think it’s a natural response to the way the world is right now. There’s obviously a much wider, societal aspect to that idea, but it also relates directly to the way I feel about releasing music nowadays. There are lots of highs and many beautiful, rewarding moments that come from it but the act of promoting and marketing an album can be incredibly demoralising at times. It’s a fact that the majority of people will have nothing but apathy for the creative thing you’ve spent years cultivating and that’s totally understandable but, you know, it can be tiring. I think apathy is a big reason people decide to stop making art. So the title is meant to be empowering. It’s about recognising the abundance of apathy in the world and trying to inure myself to it and get some kind of control and power over it.” 

While those feelings of weariness and even cynicism are noticeable in the lyrics of the songs, Adam says, “I hope there’s plenty of positivity and optimism to be found in there too. I wanted there to be lots of grey areas rather than binary emotions though. There’s also a lot of playfulness and provocation in the words. I don’t necessarily mean everything I sing.” 

The sense of bittersweet melancholia is also tied in with another key theme of the record: aging. The album opens with Berkeley Street, a twisting and turning collection of snatched memories from Adam’s time living in Glasgow in his 20s. He has since relocated to St Cyrus, an Aberdeenshire village on the north-east coast. “I was in Glasgow for a Celtic Connections gig in January 2025. It was unseasonably warm and I was wandering the streets around where I’d lived over a decade earlier. It all felt entirely familiar but I bumped into a guy I used to know and his hair had turned grey since I last saw him. Now, I’ve got nothing against grey hair of course, but it was a clear reminder of the pesky old passage of time.” 

The closing track is, appropriately enough, entitled Time and examines the idea of purpose. “It’s something I didn’t think about much until recently. I’m quite good at living in the moment but as I reach my mid-late 30s I’m much more prone to a bout of existential dread.”

Self-interrogation threads its way throughout the album. “Is this a midlife crisis or is it art?” asks Adam on Crisis while I Never Thought You Couldn’t Not asserts that the path to success is “littered with the bodies of the easily distracted and the self-aware.” 

However, despite the ennui, Adam is keen to state that he has no intention of giving up. “Songwriting is a form of therapy. It’s good to explore these feelings and get them out there. I feel much better for it and, on the whole, music-making is a joyful thing for me. I’ve still got plenty of optimism and I’m already pouring it into new songs. I’m really proud of this record. It’s my favourite thing I’ve ever made. I hope people like it. Bring on the apathy.”

Pre-release praise for Bring On The Apathy:

"Masterful songwriting, memorable hooks and melodies at every turn, delicate arrangements and knowing and wise lyrics. A wonderful album. Highly recommended."  - Norman Blake (Teenage Fanclub) 

"Adam's music and songwriting comfortably inhabits the sweet spot between Edwyn Collins and The Beautiful South, and this album captures him in fine, fine form" - James Yorkston

"A clutch of literate and thoughtful new songs from Adam Ross, dressed in tasteful arrangements that revel in a rich chamber pop tradition. Adam’s lyrics are singular, raising eyebrows, smiles and spirits, usually in the same song." - Withered Hand

May 13: Broken Chanter at Paper Dress Vintage

Fika Recordings presents Broken Chanter + Sassyhiya + Emma Kupa

Broken Chanter is the stage name of Glaswegian songwriter David MacGregor, on tour in support of his latest album This Could be Us, You, Or Anybody Else.

Support comes from Sassyhiya and Emma Kupa.

His album, Chorus Of Doubt, (agit-pop with heart - 8/10 - UNCUT) was released by Chemikal Underground in April 2024 and was on the Longlist of 20 for the 2024 Scottish Album of the Year (SAY) Award.

Prior to this incendiary new gem of an LP, MacGregor has released two critically acclaimed albums as Broken Chanter - 2019's eponymous introduction to his new guise (A stunning, stately debut - The Skinny) and 2021's Catastrophe Hits (Muscular, fast-moving indie-pop – The Scotsman)

He spent 2007-2017 as the principal songwriter of Scottish Alt-Pop darlings Kid Canaveral - a band that could get you to dance, laugh, and weep all in the space of the same set. Their Debut LP Shouting at Wildlife was described by The Herald as “a Scottish pop classic that should be mandatory in every record collection in the country", and saw the band perform across a large chunk of the western hemisphere, with the similarly well-received follow-up Now That You Are a Dancer being Longlisted for the SAY Award in 2014.

Tickets from wegottickets.com/fikarecordings

£12 + bf (£7.50 no questions asked concessions).