A DIY INDIEPOP VINYL & CASSETTE LABEL

Mammoth Penguins join Fika Recordings

We’re really pleased to be able to say that Mammoth Penguins have joined the Fika Recordings family!

It’s fair to say we’ve been fans of Mammoth Penguins for a long time now, since their blinding debut for Fortuna Pop, Hide and Seek, we’ve taken every excuse we can to book them for Fika Recordings shows in London with Tigercats, Steven James Adams and more, and just couldn’t get enough of their 2017 concept album John Doe. And it didn’t just all start there: we’ve followed Emma Kupa’s output keenly, from those early Standard Fare 7”s on the much adored Thee SPC label, through to her album with Darren Hayman we released the year before last (check out The Hayman Kupa Band record here).

So there’s a brand new single out today, I Wanna, taken from the full length album There’s No Fight We Can’t Both Win, which will be out on the 26th April on 12” vinyl and on CD.

You can pre-order the album now (with an immediate download of the new single I Wanna) and hear the new single on Spotify.

May 6th: Stanley Brinks at The Betsey Trotwood

It’s been a long time since we’ve hosted Stanley Brinks somewhere quite so small and intimate as the beautiful upstairs room at The Betsey Trotwood, but we’re delighted to be doing so again.

It’ll just be Stan, playing a couple of sets of songs, without any support. Its a tiny little room, and we’ve sold over 1/3 of the tickets for the night already, so if you’re planning on coming, get your ticket for £10 from wegottickets.com/fikarecordings sooner rather than later.

Doors open at 19:30, all over by 22:30 - the perfect way to see out the bank holiday weekend.

We Show Up On Radar - Willow Tree [Digital]

Artist: We Show Up On Radar
Title: Willow Tree
Format: Digital Single
Cat#: Fika071SG2
Release date: 8th February 2019
Bandcamp | Spotify

Willow Tree, the second single from We Show Up On Radar's new LP "Zanzibar Whip Coral", is released on the 8th of February.

* * *

Naughty little folk-pop maestro We Show Up On Radar is indeed a person and Zanzibar Whip Coral is indeed his album. A body of songs expelled through his cloud-like body like a turbulent but fruitful gale. This mass of organised air is to be released on Fika Recordings in March 2019.

Nottingham based multi instrumentalist, songwriter and producer Andy Wright - the man inside We Show up On Radar - has conjured up this 9 song popular melodrama using nothing but his own full sized Wurlitzer, complete with rotating platform and wearing his trademark sequinned suit.

Zanzibar Whip Corals is the 4.15 from Waverly Station. The train seats are woven from spun sugar and the train driver is a pelican with secrets in his bill. The gentle breeze spilling through the windows is Andy's voice with a melancholy love story sung for all the weird and wonderful creatures giggling in the distance. His songwriting is tender, almost fragile but his songs are anthemic, bubbling with gentle power. This journey is one of sheer magic and terror, like a lovely nightmare where you wake up smiling.

We Show Up On Radar’s songs are bewitching tales, scattered with references to vegetarian yeti’s, microscopic sea creatures and Greek Gods. It is music that is full of contradictions - childlike and sweet, but a bit wrong; terribly sad, but hopelessly uplifting.

Wright invented libraries and then toured them…. We Show Up On Radar have also recorded on various occasions for the BBC at the legendary Maida Vale studios and Abbey Road. ("surreal, hushed acoustic folk-pop that's both downbeat and delirious" BBC Introducing).

We Show Up On Radar have previously supported The National, Piney Gir, Thomas Truax and Bright Eyes at Nottingham's Rock City and dazzled with a headline show at Club Fandango at the Bull & Gate, London (“an astonishing treat” Artrocker).

Lets all fly away on each other’s smiles.


We Show Up On Radar - A Theogony [Digital]

Artist: We Show Up On Radar
Title: A Theogony
Format: Digital Single
Cat#: Fika071SG1
Release date: 18th January 2019
Bandcamp | Spotify

A Theogony, the first single from We Show Up On Radar's new LP "Zanzibar Whip Coral", is released on the 18th of January.

* * *

Naughty little folk-pop maestro We Show Up On Radar is indeed a person and Zanzibar Whip Coral is indeed his album. A body of songs expelled through his cloud-like body like a turbulent but fruitful gale. This mass of organised air is to be released on Fika Recordings in March 2019.

Nottingham based multi instrumentalist, songwriter and producer Andy Wright - the man inside We Show up On Radar - has conjured up this 9 song popular melodrama using nothing but his own full sized Wurlitzer, complete with rotating platform and wearing his trademark sequinned suit.

Zanzibar Whip Corals is the 4.15 from Waverly Station. The train seats are woven from spun sugar and the train driver is a pelican with secrets in his bill. The gentle breeze spilling through the windows is Andy's voice with a melancholy love story sung for all the weird and wonderful creatures giggling in the distance. His songwriting is tender, almost fragile but his songs are anthemic, bubbling with gentle power. This journey is one of sheer magic and terror, like a lovely nightmare where you wake up smiling.

We Show Up On Radar’s songs are bewitching tales, scattered with references to vegetarian yeti’s, microscopic sea creatures and Greek Gods. It is music that is full of contradictions - childlike and sweet, but a bit wrong; terribly sad, but hopelessly uplifting.

Wright invented libraries and then toured them…. We Show Up On Radar have also recorded on various occasions for the BBC at the legendary Maida Vale studios and Abbey Road. ("surreal, hushed acoustic folk-pop that's both downbeat and delirious" BBC Introducing).

We Show Up On Radar have previously supported The National, Piney Gir, Thomas Truax and Bright Eyes at Nottingham's Rock City and dazzled with a headline show at Club Fandango at the Bull & Gate, London (“an astonishing treat” Artrocker).

Lets all fly away on each other’s smiles.


Press for A Theogony

A Theogony is a wonderful introduction to We Show Up On Radar’s world, a world full of beauty and oddness, strange characters and honest human emotions, laced through with the bleakest melancholies and the brightest, most hopeful swells of uplifting sound. Beginning life with just a Sparklehorse-like distorted guitar line, and Andy’s barely there vocal, A Theogony swells and drifts throughout its perfect three-minute run-time. Meandering piano lines, entwine and dance with a Wurlitzer, backing vocals sound like the most downbeat Gospel-choir you’ll ever come across, and the big brass-finale, that could sound clichéd in a lesser songwriter’s hands, feel like it’s transporting you off to a brave new world.
The sort of track you can listen to time and time again, and still feel like you’ve never quite pieced it all together; fascinating, beautifully rewarding songwriting, existing in the intriguing outskirts of pop-music, where all the most interesting kids hide out. As the press release says, “let’s all fly away on each other’s smiles”, one track in and We Show Up On Radar have already got us grinning from ear to ear.
For The Rabbits

Do you remember those days where we were swept up by crafty songwriters like Jens and Sufjan? Well, Andy Wright and his project We Show Up On Radar are quite similar, at least in their song construction, adding layer after layer. This tune begins with wonky keyboard lines matching Wright’s voice, then a chorus comes in for backing vocals, marking the entry of piano and percussive handclaps…and all that in just the first minute. Then you find this pulsing fuzz move in, and a softer backing vocal all leading to this glorious pop crescendo where horns and drums and melody crash and swirl together. What a wondrous way to begin the day. If you like it, look for the band’s Zanzibar Whip Coral in March via Fika Recordings.
Austin Town Hall

Mikey Collins - Waste [Digital]

Artist: Mikey Collins
Title: Waste
Format: Digital EP
Cat#: Fika064SG5
Release date: 11th January 2019
Bandcamp | Spotify

Following the release of his debut solo album Hoick earlier this year, ex-Allo Darlin’ drummer Mikey Collins announces a series of remixes, which will appear over two EPs. Guest remixers include Johnny Winfield, Nicholas de Carlo, James Yuill, Jolyon Thomas, Ghost Culture and Ian Button (Death In Vegas/Papernut Cambridge). 

As Mikey explains; “I've always loved a remix. I remember buying singles in the 90s and loving the re-imagining of an original track into a whole new piece of art – sometimes more exciting that the original. Some were a bit crap, sure, but – good ones – have never really felt like 'just sticking a beat over the top' to me. I think it's fascinating seeing what other producers make of the same set of stems / lyrics / flow and taking a few elements to turn it into something that has a life of its own. Like watching your kid grow up or something! So, I always knew I wanted to try and get some remixes of the Hoick songs if possible. I gave every artist the option of which tune they would like to remix.” 

This, the second EP, features a brand new track called “Waste”, which Mikey loved but it didn’t quite make it on to the main record. The other tracks included are Home Bird” and “Side By Side” (both remixed by Johnny Whinfield again) and “Sound In Here” was remixed by Ian Button, who is the drummer in Mikey’s live band but has also been in countless bands including Death In Vegas, Thrashing Doves, GoKart Mozart and many, many more. There’s also a remix of “Something To Lose” by Nicholas de Carlo, which he renamed “A Heart”. Nicholas is a music producer and arranger who worked as a composer in Berlin for many years and recently relocated to Ramsgate, where Mikey lives and they have collaborated on a few projects together.


Hoick is the solo album from Allo Darlin’ drummer Mikey Collins, who combines his love of rhythm and joyous harmonies to create a fun and sonically varied record. He is joined by a crack-team of musicians including drummer Ian Button (Death In Vegas, Papernut Cambridge), Tom Parkinson on bass, Tigercats’ Laura Kovic on keyboards and vocals, as well as fellow former Allo Darlin’ member and lifelong friend, guitar maestro Paul Rains. The flicker of his previous band pervades much of the album, as Collins draws inspiration from the upbeat nature of their music but he also gives it his own spin, as well as gleaning influences from other sources including Dexy’s Midnight Runners, The Rolling Stones and current artists such as Matthew E White and Night Works. 

Winter Sprinter 2019: Withered Hand + Catenary Wires + Mikey Collins

It’s the final of our 4 night stint at The Lexington, and we’re sending you off in to the weekend in style with Withered Hand, CatenaryWires and Mikey Collins!

Advance tickets are on sale now from wegottickets.com/fikarecordings for £11. The Winter Sprinter runs from Jan 8-11th 2019.

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Withered Hand is the songwriting output of Dan Willson. A cult figure in the Scottish music scene since 2009, Dan has released two widely acclaimed albums, New Gods (2014) and Good News (2009) and several lo-fi EPs. Currently working towards his third full length album, Withered Hand continues to tour and play one-off dates in venues from concert halls to living rooms.

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The Catenary Wires are Amelia Fletcher and Rob Pursey. Amelia and Rob are best known for making fuzzy, sixties girl-group inspired indie-pop in their previous bands Talulah Gosh, Heavenly, Marine Research and Tender Trap.

 With the Catenary Wires, they have created something different; gentler and more acoustic, emotive and melancholy, although still fuelled by their great love for pop melodies and harmonies.

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Mikey Collins found fame and cult acclaim as the drummer in indiepop behemoths Allo Darlin’. By the time the much loved band parted ways in 2016, Mikey was already hard at work in his Big Jelly Studios in Ramsgate, working on the songs that would go on to become his debut album.

Recently released on Fika Recordings, Mikey’s record, Hoick, is largely inspired by his relocation from London to the Kent coast; ruminations on living by the sea and building a new community in a new town. Musically, it keeps the pop-tinged heart of his old band, and, through the addition of disco rhythms and RnB grooves, moves his sound into intriguing new directions. Live he’s backed by a crack team of musical heroes who bring his intricate musical ideas to life.

Winter Sprinter 2019: Haiku Salut + Gwenifer Raymond + Joss Cope

We’re delighted to be able to unveil the line up for the third night of the Winter Sprinter as Haiku Salut, Gwenifer Raymond and Joss Cope. It’s all happening at The Lexington on Thurs 10th of January.

Advance tickets are on sale now from wegottickets.com/fikarecordings for £11. The Winter Sprinter runs from Jan 8-11th 2019.

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Haiku Salut are an instrumental dream-pop-post-folk-neo-everything trio from the Derbyshire Dales. The group consists of multi-instrumentalists Gemma Barkerwood, Sophie Barkerwood, and Louise Croft. Between them, Haiku Salut play accordion, piano, glockenspiel, trumpet, guitar, ukulele, drums, and melodica. Their music also features electronic elements, which they refer to as “loopery and laptopery”.

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Gwenifer Raymond is a Welsh multi-instrumentalist, originally from Cardiff but now residing in Brighton, England. Gwenifer began playing guitar at the age of eight shortly after having been first exposed to punk and grunge. After years of playing around the Welsh valleys in various punk outfits she began listening more to pre-war blues musicians as well as Appalachian folk players, eventually leading into the guitar players of the American Primitive genre. She has since been playing her own moody and often-times manic original American Primitive styled compositions on guitar and banjo around the UK and the US.

Joss Cope.jpg

Joss Cope is a Midlands born musician with a pedigree stretching back to the Liverpool post punk scene and early Creation Records. He's worked with his elder brother Julian, made videos, campaigned for Greenpeace, and played guitar and bass for a number of bands in recent years before teaming up with some top Helsinki musicians to make this debut solo record. 

Winter Sprinter 2019: Flowers + Firestations + Deerful

We’re chuffed to be able to unveil the line up for the second night of the Winter Sprinter as Flowers, Firestations and Deerful. It’s all happening at The Lexington on Wed 8th of January.

Advance tickets are on sale now from wegottickets.com/fikarecordings for £11. The Winter Sprinter runs from Jan8-11th 2019.

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There’s something great about a three-piece—think The Cocteau Twins, The Clean, Galaxie 500—and the way that irreducible nucleus takes its strength from its limitations, making a virtue of its purity. Flowers singer Rachel Kenedy's ethereal vocals and Sam Ayres textured guitar is backed by the powerful, metronomic beat of drummer Jordan Hockley. Effortlessly blending pop songs with noise while leaving space for more stripped back elements, the recordings strike a perfect balance between the sweetness of Kenedy’s voice and Ayres’ abrasive guitar stylings. Their musical inspiration from shoegaze, C86 and New Zealand’s Flying Nun label is now evident.

Firestations.jpg

Firestations are Mike Cranny, Laura Copsey, Martin Thompson, Giles Littleford and Tom Hargreaves. They write lyrical alt-pop songs filtered through joyous surges of collective noise-making and bursts of electronic sound from synths and guitars.  They released their acclaimed debut album Never Closer at the end of 2014.  After much gigging to support it, including festival appearances at Indietracks, Aaaahfest in Germany and Indiefjord in Norway, they hunkered down to record a follow-up. On The Year Dot, Firestations have refined and expanded on their shared obsession – sketching simple pop songs then painting over them with drones, vocal harmonies, electronica and unusual rhythms.

Much as The Year Dot is a true DIY effort in its creation – made over the best part of three years in a small home studio in Walthamstow, the north circular hissing in the near distance – it’s by no means a lo-fi album. “We spent a lot of time obsessing over making it a really absorbing listen” says Mike, “it’s a distillation of dreaming away the days on the outskirts, flickering between dead-end admin jobs, depression, writing lyrics on my phone, running through local woods, recording drums in industrial units, periods of hopelessness and moments of joy.”

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Deerful is Emma Winston, a musician based in London, UK. She writes lush, sad electropop about feelings on synthesisers small enough to use on the bus and in tiny live-coding environments, and exists in a perpetual state of being far too excited about making things. Her musical influences include the Postal Service, The Magnetic Fields, Kero Kero Bonito, Emmy the Great, CHVRCHES, Owen Pallett, Grimes, and the DuckTales for Game Boy soundtrack.

Winter Sprinter 2019: Suggested Friends, Peaness and Whoa Melodic

We kick off the Winter Sprinter on Tuesday 8th January at The Lexington, in London, with Suggested Friends, Peaness and Whoa Melodic.

Advance tickets are on sale now from wegottickets.com/fikarecordings for £7.50.

Suggested Friends.jpg

Suggested Friends Bandcamp tells us they make “bittersweet dad rock for you and your mates”, which is hilarious but, obviously, the London quartet are a lot more than that. They make effervescent and melancholic pop rock songs, with catchy-as-anything hooks and frenetic choruses. Faith from the band probably puts it best: “We are a jangle punk-ish pop group based in London, singing songs about regret, aspiration, and microaggressions. We’re all about the catchy choruses and OTT guitar solos.”

They also have a song with perhaps the best title ever, “I Can’t Roll My Eyes That Far Back”, a tongue in cheek critique of elitist music scenes. They’ve been gigging all over the UK in the illustrious company of the likes of UK DIY bands including KEEL HER, Trust Fund and Spook School. Their self-titled debut album is brilliant and their second LP is in the works for 2019.

Peaness.jpg

Formed in Chester, England in late 2014, three piece indie-pop band Peaness are the kind of instantly likeable, warm and creative people that can get away with having radio DJ’s blush like a peach every time they have to say the band’s name on the airwaves. Lucky really, as it’s a phenomenon that’s becoming increasingly more common with spins racking up at BBC Radio One, BBC6 Music, Radio X and more as this burgeoning bunch of friends grow quickly into the big shoes that the early press-hype has set out for them to fill.

Whoa Melodic

Whoa Melodic is Michael Wood, whom usually shares his multi-instrumentalist talents with various bands including Singing Adams/Steven Adams & The French Drops and The Hayman Kupa Band (with Darren Hayman of Hefner and Emma Kupa of Standard Fare/Mammoth Penguins).

With an unnatural obsession with Paul McCartney, Whoa Melodic also has echoes of Teenage Fanclub, Squeeze, World Party and Elliott Smith. Melody is key yet his lyrics tend reflect what is going on in his life. Nostalgic, tune drenched and reassuring.

Mikey Collins - West Coast [Digital]

Artist: Mikey Collins
Title: West Coast
Format: Digital EP
Cat#: Fika064SG4
Release date: 30th November 2018
Bandcamp | Spotify

Following the release of his debut solo album Hoick earlier this year, ex-Allo Darlin’ drummer Mikey Collins announces a series of remixes, which will appear over two EPs. Guest remixers include Johnny Winfield, Nicholas de Carlo, James Yuill, Jolyon Thomas, Ghost Culture and Ian Button (Death In Vegas/Papernut Cambridge). 

As Mikey explains; “I've always loved a remix. I remember buying singles in the 90s and loving the re-imagining of an original track into a whole new piece of art – sometimes more exciting that the original. Some were a bit crap, sure, but – good ones – have never really felt like 'just sticking a beat over the top' to me. I think it's fascinating seeing what other producers make of the same set of stems / lyrics / flow and taking a few elements to turn it into something that has a life of its own. Like watching your kid grow up or something! So, I always knew I wanted to try and get some remixes of the Hoick songs if possible. I gave every artist the option of which tune they would like to remix.” 

The first EP revolves around the stand-out track “West Coast”, featuring the original album version plus three remixes. Jolyon Thomas is a music producer who has worked with U2, Royal Blood and Slaves. James Yuill creates folktronica and Mikey said; “I think it's amazing how he managed to make things sound modern and timeless at the same time”. Johnny Whinfield co-produced and mastered Hoick. He has produced and co-written several records with Jimmy Somerville and absolutely loves disco and EDM, which influenced the sound on the album satisfying both his “disco” and Mikey’s “indie” roots. 

Hoick is the solo album from Allo Darlin’ drummer Mikey Collins, who combines his love of rhythm and joyous harmonies to create a fun and sonically varied record. He is joined by a crack-team of musicians including drummer Ian Button (Death In Vegas, Papernut Cambridge), Tom Parkinson on bass, Tigercats’ Laura Kovic on keyboards and vocals, as well as fellow former Allo Darlin’ member and lifelong friend, guitar maestro Paul Rains. The flicker of his previous band pervades much of the album, as Collins draws inspiration from the upbeat nature of their music but he also gives it his own spin, as well as gleaning influences from other sources including Dexy’s Midnight Runners, The Rolling Stones and current artists such as Matthew E White and Night Works.