Winter Sprinter 2019: Flowers + Ex-Vöid + Deerful

We’re chuffed to be able to unveil the line up for the second night of the Winter Sprinter as Flowers, Ex-Vöid and Deerful. It’s all happening at The Lexington on Wed 8th of January.

Advance tickets are on sale now from wegottickets.com/fikarecordings for £11. The Winter Sprinter runs from Jan8-11th 2019.

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There’s something great about a three-piece—think The Cocteau Twins, The Clean, Galaxie 500—and the way that irreducible nucleus takes its strength from its limitations, making a virtue of its purity. Flowers singer Rachel Kenedy's ethereal vocals and Sam Ayres textured guitar is backed by the powerful, metronomic beat of drummer Jordan Hockley. Effortlessly blending pop songs with noise while leaving space for more stripped back elements, the recordings strike a perfect balance between the sweetness of Kenedy’s voice and Ayres’ abrasive guitar stylings. Their musical inspiration from shoegaze, C86 and New Zealand’s Flying Nun label is now evident.


Ex-Vöid is a new musical group featuring former Joanna Gruesome members Owen Williams and Alanna McArdle. After having written two short albums of 'critically acclaimed' hyper-aggressive pop music, touring the capitalist west, and winning a kind of 'National Music Prize' with Joanna Gruesome, McArdle & Williams went their separate ways.

While sonically a continuation of the “Gruesome Sound” in some ways (particularly in the inclusion of brief and aggressive 'hardcore' punk sections), Ex-Vöid exploit the use of vocal harmonies and twin-lead guitars to push the 'pop' qualities of McArdle and Williams' writing into extreme and dangerous territory. 

Taking influence equally from Black Sabbath's “Into The Void”, D.C.-area hardcore legends “VOID,” and Raincoats number “The Void”, the group 'Ex-Vöid' was formed and began to compose short power-pop songs with titles like "Boyfriend," "Angry (At You Baby)," "Lying (To You Baby)," and "My Baby Is a Communist."


Deerful is Emma Winston, a musician based in London, UK. She writes lush, sad electropop about feelings on synthesisers small enough to use on the bus and in tiny live-coding environments, and exists in a perpetual state of being far too excited about making things. Her musical influences include the Postal Service, The Magnetic Fields, Kero Kero Bonito, Emmy the Great, CHVRCHES, Owen Pallett, Grimes, and the DuckTales for Game Boy soundtrack.