Cult Scottish miserabilists The Just Joans are delighted to be releasing their first new album in more than a decade, following the band’s signing to Fika Recordings
Formed in Glasgow in 2005, The Just Joans have evolved from a shambling two-piece to an accomplished sextet that embraces rivalry and relationship in the vocals of siblings, David and Katie Pope.
Once described as ‘the missing link between The Magnetic Fields and The Proclaimers’, the band have used self-awareness and self-deprecation to continuously explore themes of angst, heartbreak and detachment in their songs.
From their 2006 debut album Last Tango in Motherwell through a series of successful EPs, to 2012’s compilation Buckfast Bottles In The Rain, the acerbic wit in David Pope’s observational lyrics have helped make the band a firm favourite of the indie-pop scene. Their rise has seen them play a plethora of international festivals, such as Wales Goes Pop, Indiefjords, NYC Popfest, and of course the Indietracks festival, of which they have been long-standing cult favourites since their first appearance in 2008.
The Just Joans are David Pope (vocals and guitar), Katie Pope (vocals), Chris Elkin (lead guitar), Fraser Ford (bass guitar), Doog Cameron (keyboards) and Jason Sweeney (drums).
"The Just Joans have documented the romantic pratfalls of a generation of indie kids with a sardonic wit and a shambling musical style where Stephin Merritt lies down with The Vaselines. They're at their best on Big Blue Moon, Katie Pope's voice soaring above bathos like the stars coming out over Sauciehall Street." Uncut
"it’s a refined downer, enriched by self-lacerating wit (I Only Smoke When I Drink), indie-boy piss-takes (Sleeperbloke), story-song skills (unwanted-pregnancy tale Johnny (Have You Come Lately)) and briefly off-guard touches of synth-pop wistfulness (Big Blue Moon). Best of all is Spector-on-a-budget shimmy No Longer Young Enough, a wise-up call for middle-aged dreamers with just one caveat: the Joans’ own cynicism has improved with age. But don’t tell them, or they might go cheering up." Record Collector
"You Might be Smiling Now… is a sharper, on-the-nose take on indie pop, proving the Just Joans may be older, but, in their own whimsically nostalgic way, perhaps no wiser, and for that we can only be glad." The List
"You Might Be Smiling Now... is lyrically smart, funny, and terrifyingly relatable. The Just Joans might not be universally understood, but for those of us dealing with the grievances of getting older while simultaneously not feeling ready for adulthood, this is our affirmation." The Skinny
"The similarities with Belle & Sebastian and Camera Obscura in procuring breezy pop melodies combined with intelligent wordplay exist, but on their second album The Just Joans draw more similarities to the American counterpart of all of the above [Leonard Cohen] - Stephen Merritt and his band The Magnetic Fields." Soundblab
"They’ve dredged up their youthful feelings and animated them in both honest and affectionate tones, and it makes You Might Be Smiling Now… a joyous rummage through swathes of bleary nostalgia." The 405