Jessica’s Brother are a London trio comprised of songwriter Tom Charleston, Jonny Helm (drums, also of The Wave Pictures) and Charlie Higgs (bass). Channelling the spirit of the Brothers Grimm to create an otherworldly atmosphere, they weave their motley influences together making a rich and eclectic vision, with nods to Silver Jews, Jason Molina, Nick Cave, Richard Thompson and Neil Young. There are themes of joy, anger and silliness in a carefully crafted world with a colourful cast of characters.
The trio formed in October 2016. Jonny and Charlie worked together in a framing business and had often talked about collaborating in a band together. Fate intervened when Jonny’s girlfriend Jessica introduced him to her brother Tom, and they found a songwriter in waiting.
Weaving a variety of influences from jangly indie-rock to gothic country and contemplative psych folk, Jessica’s Brother create the sound of a band coming together and getting caught up in the rush of starting new and enjoyable. The instruments clamber over each other in a small room, with Helm’s distinctive drumming counterbalances the gothic guitar thrums and wailing violin. Already lauded by the likes of The Guardian (for their first ever gig) and the Saatchi Magazine (for their first single), the scene is set for a bright future.
PR: Chris Stone at Stone Immaculate.
Press for Jessica's Brother
"Jessica’s Brother’s shambling nerdcore is clearly a passion project intended to please only themselves. Good for them. Their pivotal number Polstead Instead, loosely based on the 1976 Jonathan Richman track New England, is a jingling rush that would have headed John Peel’s Festive 50 in another life." The Guardian
"Jessica’s Brother deliver a gothic English folk tale filtered through Silver Jews and early Pavement, with Mayfield’s dark violin adding a Bad Seeds-y edge. These are just signposts however, there is no derivative homage here. It all feels right, and, as with all the best bands, they make it sound new. Their songs deliver lazy, laconic vocal melodies with a muscular Neil Young flex in the guitars and just a soupçon of The Band in the arrangements. I want to say the last thing we need is another indie-pop supergroup, but I can’t, because Jessica’s Brother are exactly what we need.” Saatchi Art & Music Magazine
"it’s a stunning combination of gothic-country and 1960’s inspired psych-folk, simultaneously downbeat and expansive. The influence of Jason Molina is clear in the croaked vocal, while the guitar playing has a Neil Young-like virtuosity and there’s even room for some deliciously atmospheric violin flourishes." For The Rabbits [Overnight Horror premiere]
"The very first impression after one spin: this is a hell of a debut track. Imagine Mumford & Sons fronted by great vox Conor Oberst, playing amplified Americana folk rock with a spine-tingling edge going up and down like a scary roller coaster. Top!" Turn Up The Volume
"The song seems to draw inspiration from a style akin to simple folk troubadours, but it’s the added instrumentation that elevates the number; I’m personally taking a liking to the light string arrangements haunting the backdrop." Austin Town Hall
"Indie Americana? Whatever your genre label of choice as debut singles go this one from Jessica’s Brother certainly sets the bar high and heightens expectations for the bands forthcoming full-length." Beat Surrender