A DIY INDIEPOP VINYL & CASSETTE LABEL

Mammoth Penguins - There's No Fight We Can't Both Win [12"/CD]

Artist: Mammoth Penguins
Title: There’s No Fight We Can’t Both Win
Format: 12” LP on yellow vinyl / digipack CD
Cat#: Fika070
Release date: 26th April 2019
Bandcamp | Spotify

Following a sold out London show with Swearin’, Cambridge indie pop trio Mammoth Penguins are delighted to announce that they have signed to Fika Recordings and that their third album, There’s No Fight We Can’t Both Win, will be released on 26th April 2019.

Mammoth Penguins are a 3-piece indie pop powerhouse, showcasing the songwriting and vocal talents of Emma Kupa (Standard Fare, The Hayman Kupa Band) backed up by the noisiest rhythm section in indie pop.

Their first album, Hide and Seek, was released with the much-loved and sorely missed Fortuna Pop! in 2015. Stand-out tracks ‘Strength In My Legs’ and ‘When I Was Your Age’ were picked up by BBC 6Music and Radio X, and the band played a live session for Marc Riley the following year.

But Mammoth Penguins didn’t want to stop there.  Their follow-up release John Doe in 2017 was an ambitious concept album, exploring the feelings of loss and anger at a man who fakes his own death, only to return years later. It featured contributions from Haiku Salut’s Sophie Barkerwood and Alto 45’s Joe Bear, and expanded well beyond the 3-piece rock‘n’roll template, with washes of strings, synths and samples (field recordings of butter being scraped on toast, photocopiers, and Ramsgate beach helping to fully immerse the listener in the world the band have created) filling out and developing Kupa’s songwriting.

Having had their ‘and now for something completely different’ moment, the band have brought that ambition and expanded palette to the production of this new release. The sound is big, bold and confident—with layers of guitars, backing vocals and keys all adding extra muscle—but maintaining Kupa’s candid, heartfelt, confessional style of songwriting, and the jubilant power pop hooks that made the first record so special.  

As with many songwriters, Kupa’s songs are derived mostly from her own personal experiences, thoughts, and feelings, be they long-lived or fleeting. “The times when people have said my lyrics resonate with them or articulate something specific for them are extremely validating for me and I hope that happens with this album,” she explains of the new record.

“Arranging the songs with Mark and Tom is a massive buzz and playing them live as a band feels so exciting. Having Joe and Faith put their mark on the album was also a massive privilege. Making a record can be an extremely slow and drawn out process that requires patience, perseverance and resilience, and because of that we are super excited and proud to be releasing this album.”

This time around, classic themes of love, loss and conflict are (mostly) given a hopeful and optimistic spin that opposition is neither inevitable nor hopeless. For musical comparisons, think Land of Talk, and Philadelphia bands such as Swearin and Hop Along, but Kupa’s insight into the everyday and her ability to pen such relatable and honest missives means that, often, the best comparison for Mammoth Penguins’ music is with your own past.

We Show Up On Radar - Zanzibar Whip Coral [12"]

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Artist: We Show Up On Radar
Title: Zanzibar Whip Coral
Format: Limited edition 12” transparent vinyl
Cat#: Fika071LP
Release date: 22nd March 2019
Bandcamp | Spotify

Naughty little folk-pop maestro We Show Up On Radar is indeed a person and Zanzibar Whip Coral is indeed his album. A body of songs expelled through his cloud-like body like a turbulent but fruitful gale. This mass of organised air is to be released on Fika Recordings in March 2019.

Nottingham based multi instrumentalist, songwriter and producer Andy Wright - the man inside We Show up On Radar - has conjured up this 9 song popular melodrama using nothing but his own full sized Wurlitzer, complete with rotating platform and wearing his trademark sequinned suit.

Zanzibar Whip Corals is the 4.15 from Waverly Station. The train seats are woven from spun sugar and the train driver is a pelican with secrets in his bill. The gentle breeze spilling through the windows is Andy's voice with a melancholy love story sung for all the weird and wonderful creatures giggling in the distance. His songwriting is tender, almost fragile but his songs are anthemic, bubbling with gentle power. This journey is one of sheer magic and terror, like a lovely nightmare where you wake up smiling.

We Show Up On Radar’s songs are bewitching tales, scattered with references to vegetarian yeti’s, microscopic sea creatures and Greek Gods. It is music that is full of contradictions - childlike and sweet, but a bit wrong; terribly sad, but hopelessly uplifting.

Wright invented libraries and then toured them…. We Show Up On Radar have also recorded on various occasions for the BBC at the legendary Maida Vale studios and Abbey Road. ("surreal, hushed acoustic folk-pop that's both downbeat and delirious" BBC Introducing).

We Show Up On Radar have previously supported The National, Piney Gir, Thomas Truax and Bright Eyes at Nottingham's Rock City and dazzled with a headline show at Club Fandango at the Bull & Gate, London (“an astonishing treat” Artrocker).

Lets all fly away on each other’s smiles.

Mammoth Penguins - I Wanna [Digital]

Artist: Mammoth Penguins
Title: I Wanna
Format: Digital Single
Cat#: Fika070SG1
Release date: 15th February 2019
Bandcamp | Spotify

Following a sold out London show with Swearin’, Cambridge indie pop trio Mammoth Penguins are delighted to announce that they have signed to Fika Recordings and that their third album, There’s No Fight We Can’t Both Win, will be released on 26th April 2019.

The band are streaming lead single ‘I Wanna’ today, listen and share here:

“‘I Wanna’ is a super simple song about how liking someone can unlock a load of creativity and energy,” comments vocalist Emma Kupa, “and suddenly there are so many possibilities and so much potential, and life becomes way more fun.”

Mammoth Penguins are a 3-piece indie pop powerhouse, showcasing the songwriting and vocal talents of Emma Kupa (Standard Fare, The Hayman Kupa Band) backed up by the noisiest rhythm section in indie pop.

Their first album, Hide and Seek, was released with the much-loved and sorely missed Fortuna Pop! in 2015. Stand-out tracks ‘Strength In My Legs’ and ‘When I Was Your Age’ were picked up by BBC 6Music and Radio X, and the band played a live session for Marc Riley the following year.

But Mammoth Penguins didn’t want to stop there.  Their follow-up release John Doe in 2017 was an ambitious concept album, exploring the feelings of loss and anger at a man who fakes his own death, only to return years later. It featured contributions from Haiku Salut’s Sophie Barkerwood and Alto 45’s Joe Bear, and expanded well beyond the 3-piece rock‘n’roll template, with washes of strings, synths and samples (field recordings of butter being scraped on toast, photocopiers, and Ramsgate beach helping to fully immerse the listener in the world the band have created) filling out and developing Kupa’s songwriting.

Having had their ‘and now for something completely different’ moment, the band have brought that ambition and expanded palette to the production of this new release. The sound is big, bold and confident—with layers of guitars, backing vocals and keys all adding extra muscle—but maintaining Kupa’s candid, heartfelt, confessional style of songwriting, and the jubilant power pop hooks that made the first record so special.  

As with many songwriters, Kupa’s songs are derived mostly from her own personal experiences, thoughts, and feelings, be they long-lived or fleeting. “The times when people have said my lyrics resonate with them or articulate something specific for them are extremely validating for me and I hope that happens with this album,” she explains of the new record.

“Arranging the songs with Mark and Tom is a massive buzz and playing them live as a band feels so exciting. Having Joe and Faith put their mark on the album was also a massive privilege. Making a record can be an extremely slow and drawn out process that requires patience, perseverance and resilience, and because of that we are super excited and proud to be releasing this album.”

This time around, classic themes of love, loss and conflict are (mostly) given a hopeful and optimistic spin that opposition is neither inevitable nor hopeless. For musical comparisons, think Land of Talk, and Philadelphia bands such as Swearin and Hop Along, but Kupa’s insight into the everyday and her ability to pen such relatable and honest missives means that, often, the best comparison for Mammoth Penguins’ music is with your own past.

Mammoth Penguins - I Wanna.jpg

We Show Up On Radar - Willow Tree [Digital]

Artist: We Show Up On Radar
Title: Willow Tree
Format: Digital Single
Cat#: Fika071SG2
Release date: 8th February 2019
Bandcamp | Spotify

Willow Tree, the second single from We Show Up On Radar's new LP "Zanzibar Whip Coral", is released on the 8th of February.

* * *

Naughty little folk-pop maestro We Show Up On Radar is indeed a person and Zanzibar Whip Coral is indeed his album. A body of songs expelled through his cloud-like body like a turbulent but fruitful gale. This mass of organised air is to be released on Fika Recordings in March 2019.

Nottingham based multi instrumentalist, songwriter and producer Andy Wright - the man inside We Show up On Radar - has conjured up this 9 song popular melodrama using nothing but his own full sized Wurlitzer, complete with rotating platform and wearing his trademark sequinned suit.

Zanzibar Whip Corals is the 4.15 from Waverly Station. The train seats are woven from spun sugar and the train driver is a pelican with secrets in his bill. The gentle breeze spilling through the windows is Andy's voice with a melancholy love story sung for all the weird and wonderful creatures giggling in the distance. His songwriting is tender, almost fragile but his songs are anthemic, bubbling with gentle power. This journey is one of sheer magic and terror, like a lovely nightmare where you wake up smiling.

We Show Up On Radar’s songs are bewitching tales, scattered with references to vegetarian yeti’s, microscopic sea creatures and Greek Gods. It is music that is full of contradictions - childlike and sweet, but a bit wrong; terribly sad, but hopelessly uplifting.

Wright invented libraries and then toured them…. We Show Up On Radar have also recorded on various occasions for the BBC at the legendary Maida Vale studios and Abbey Road. ("surreal, hushed acoustic folk-pop that's both downbeat and delirious" BBC Introducing).

We Show Up On Radar have previously supported The National, Piney Gir, Thomas Truax and Bright Eyes at Nottingham's Rock City and dazzled with a headline show at Club Fandango at the Bull & Gate, London (“an astonishing treat” Artrocker).

Lets all fly away on each other’s smiles.


We Show Up On Radar - A Theogony [Digital]

Artist: We Show Up On Radar
Title: A Theogony
Format: Digital Single
Cat#: Fika071SG1
Release date: 18th January 2019
Bandcamp | Spotify

A Theogony, the first single from We Show Up On Radar's new LP "Zanzibar Whip Coral", is released on the 18th of January.

* * *

Naughty little folk-pop maestro We Show Up On Radar is indeed a person and Zanzibar Whip Coral is indeed his album. A body of songs expelled through his cloud-like body like a turbulent but fruitful gale. This mass of organised air is to be released on Fika Recordings in March 2019.

Nottingham based multi instrumentalist, songwriter and producer Andy Wright - the man inside We Show up On Radar - has conjured up this 9 song popular melodrama using nothing but his own full sized Wurlitzer, complete with rotating platform and wearing his trademark sequinned suit.

Zanzibar Whip Corals is the 4.15 from Waverly Station. The train seats are woven from spun sugar and the train driver is a pelican with secrets in his bill. The gentle breeze spilling through the windows is Andy's voice with a melancholy love story sung for all the weird and wonderful creatures giggling in the distance. His songwriting is tender, almost fragile but his songs are anthemic, bubbling with gentle power. This journey is one of sheer magic and terror, like a lovely nightmare where you wake up smiling.

We Show Up On Radar’s songs are bewitching tales, scattered with references to vegetarian yeti’s, microscopic sea creatures and Greek Gods. It is music that is full of contradictions - childlike and sweet, but a bit wrong; terribly sad, but hopelessly uplifting.

Wright invented libraries and then toured them…. We Show Up On Radar have also recorded on various occasions for the BBC at the legendary Maida Vale studios and Abbey Road. ("surreal, hushed acoustic folk-pop that's both downbeat and delirious" BBC Introducing).

We Show Up On Radar have previously supported The National, Piney Gir, Thomas Truax and Bright Eyes at Nottingham's Rock City and dazzled with a headline show at Club Fandango at the Bull & Gate, London (“an astonishing treat” Artrocker).

Lets all fly away on each other’s smiles.


Press for A Theogony

A Theogony is a wonderful introduction to We Show Up On Radar’s world, a world full of beauty and oddness, strange characters and honest human emotions, laced through with the bleakest melancholies and the brightest, most hopeful swells of uplifting sound. Beginning life with just a Sparklehorse-like distorted guitar line, and Andy’s barely there vocal, A Theogony swells and drifts throughout its perfect three-minute run-time. Meandering piano lines, entwine and dance with a Wurlitzer, backing vocals sound like the most downbeat Gospel-choir you’ll ever come across, and the big brass-finale, that could sound clichéd in a lesser songwriter’s hands, feel like it’s transporting you off to a brave new world.
The sort of track you can listen to time and time again, and still feel like you’ve never quite pieced it all together; fascinating, beautifully rewarding songwriting, existing in the intriguing outskirts of pop-music, where all the most interesting kids hide out. As the press release says, “let’s all fly away on each other’s smiles”, one track in and We Show Up On Radar have already got us grinning from ear to ear.
For The Rabbits

Do you remember those days where we were swept up by crafty songwriters like Jens and Sufjan? Well, Andy Wright and his project We Show Up On Radar are quite similar, at least in their song construction, adding layer after layer. This tune begins with wonky keyboard lines matching Wright’s voice, then a chorus comes in for backing vocals, marking the entry of piano and percussive handclaps…and all that in just the first minute. Then you find this pulsing fuzz move in, and a softer backing vocal all leading to this glorious pop crescendo where horns and drums and melody crash and swirl together. What a wondrous way to begin the day. If you like it, look for the band’s Zanzibar Whip Coral in March via Fika Recordings.
Austin Town Hall

Mikey Collins - Waste [Digital]

Artist: Mikey Collins
Title: Waste
Format: Digital EP
Cat#: Fika064SG5
Release date: 11th January 2019
Bandcamp | Spotify

Following the release of his debut solo album Hoick earlier this year, ex-Allo Darlin’ drummer Mikey Collins announces a series of remixes, which will appear over two EPs. Guest remixers include Johnny Winfield, Nicholas de Carlo, James Yuill, Jolyon Thomas, Ghost Culture and Ian Button (Death In Vegas/Papernut Cambridge). 

As Mikey explains; “I've always loved a remix. I remember buying singles in the 90s and loving the re-imagining of an original track into a whole new piece of art – sometimes more exciting that the original. Some were a bit crap, sure, but – good ones – have never really felt like 'just sticking a beat over the top' to me. I think it's fascinating seeing what other producers make of the same set of stems / lyrics / flow and taking a few elements to turn it into something that has a life of its own. Like watching your kid grow up or something! So, I always knew I wanted to try and get some remixes of the Hoick songs if possible. I gave every artist the option of which tune they would like to remix.” 

This, the second EP, features a brand new track called “Waste”, which Mikey loved but it didn’t quite make it on to the main record. The other tracks included are Home Bird” and “Side By Side” (both remixed by Johnny Whinfield again) and “Sound In Here” was remixed by Ian Button, who is the drummer in Mikey’s live band but has also been in countless bands including Death In Vegas, Thrashing Doves, GoKart Mozart and many, many more. There’s also a remix of “Something To Lose” by Nicholas de Carlo, which he renamed “A Heart”. Nicholas is a music producer and arranger who worked as a composer in Berlin for many years and recently relocated to Ramsgate, where Mikey lives and they have collaborated on a few projects together.


Hoick is the solo album from Allo Darlin’ drummer Mikey Collins, who combines his love of rhythm and joyous harmonies to create a fun and sonically varied record. He is joined by a crack-team of musicians including drummer Ian Button (Death In Vegas, Papernut Cambridge), Tom Parkinson on bass, Tigercats’ Laura Kovic on keyboards and vocals, as well as fellow former Allo Darlin’ member and lifelong friend, guitar maestro Paul Rains. The flicker of his previous band pervades much of the album, as Collins draws inspiration from the upbeat nature of their music but he also gives it his own spin, as well as gleaning influences from other sources including Dexy’s Midnight Runners, The Rolling Stones and current artists such as Matthew E White and Night Works. 

Mikey Collins - West Coast [Digital]

Artist: Mikey Collins
Title: West Coast
Format: Digital EP
Cat#: Fika064SG4
Release date: 30th November 2018
Bandcamp | Spotify

Following the release of his debut solo album Hoick earlier this year, ex-Allo Darlin’ drummer Mikey Collins announces a series of remixes, which will appear over two EPs. Guest remixers include Johnny Winfield, Nicholas de Carlo, James Yuill, Jolyon Thomas, Ghost Culture and Ian Button (Death In Vegas/Papernut Cambridge). 

As Mikey explains; “I've always loved a remix. I remember buying singles in the 90s and loving the re-imagining of an original track into a whole new piece of art – sometimes more exciting that the original. Some were a bit crap, sure, but – good ones – have never really felt like 'just sticking a beat over the top' to me. I think it's fascinating seeing what other producers make of the same set of stems / lyrics / flow and taking a few elements to turn it into something that has a life of its own. Like watching your kid grow up or something! So, I always knew I wanted to try and get some remixes of the Hoick songs if possible. I gave every artist the option of which tune they would like to remix.” 

The first EP revolves around the stand-out track “West Coast”, featuring the original album version plus three remixes. Jolyon Thomas is a music producer who has worked with U2, Royal Blood and Slaves. James Yuill creates folktronica and Mikey said; “I think it's amazing how he managed to make things sound modern and timeless at the same time”. Johnny Whinfield co-produced and mastered Hoick. He has produced and co-written several records with Jimmy Somerville and absolutely loves disco and EDM, which influenced the sound on the album satisfying both his “disco” and Mikey’s “indie” roots. 

Hoick is the solo album from Allo Darlin’ drummer Mikey Collins, who combines his love of rhythm and joyous harmonies to create a fun and sonically varied record. He is joined by a crack-team of musicians including drummer Ian Button (Death In Vegas, Papernut Cambridge), Tom Parkinson on bass, Tigercats’ Laura Kovic on keyboards and vocals, as well as fellow former Allo Darlin’ member and lifelong friend, guitar maestro Paul Rains. The flicker of his previous band pervades much of the album, as Collins draws inspiration from the upbeat nature of their music but he also gives it his own spin, as well as gleaning influences from other sources including Dexy’s Midnight Runners, The Rolling Stones and current artists such as Matthew E White and Night Works. 

The Smittens - Infinity Pools [Digital]

Artist: The Smittens
Title: Infinity Pools
Format: Digital
Cat#: Fika067SG4
Release date: 2nd November 2018
Bandcamp | Spotify | iTunes

Ahead of 3 shows this weekend with The Ballet, The Smittens release their latest single Infinity Pools, taken from this summer’s LP City Rock Dove.

Infinity Pools is a homage to Spanish tontipop, and also inspired by Max’s longstanding love of tropicália. It’s a heady mix of pretentious experimentation and the most basic, simple, silly, absurdly infectious pop. 

The digital single comes with a brand new remix of Cats for Cats, superbly re-crafted by The Ballet, and a version of Sapphire from Nixon.

Catch The Smittens and The Ballet this weekend here:

Nov 2nd: The Radio Bean, Burlington VT
Nov 3rd: C’Mon Everybody, Brooklyn NY [3pm early free show]
Nov 4th: The Fire, Philadelphia PA

The Smittens - Infinity Pools

Mikey Collins - Hoick [12"/CD]

Artist: Mikey Collins
Title: Hoick
Format: 12" album on black vinyl | CD in digifile sleeve
Cat#: Fika068LP | Fika068CD
Release date: 17th August 2018
Bandcamp | Spotify | iTunes

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Hoick is the solo album from Allo Darlin’ drummer Mikey Collins, who combines his love of solid grooves and joyous harmonies to create a fun and sonically varied record. Mikey played most of the instruments and mixed the record himself, with some assistance from Laura Kovic (Tigercats) on vocals and fellow Allo Darlin' member Paul Rains on lead guitar. The flicker of his previous band provided the building blocks of an upbeat, positive record, but Mikey wanted to add his own quirky, disco spin & sonic expansiveness, aided by co-producer John Winfield (who has worked with Jimmy Somerville), with the aim of making a record that people stood a chance of being able to dance to. To create this eclectic sound, Mikey draws on influences  as far flung as Dexy's Midnight Runners, Bruce Springsteen & Todd Rundgren as well as more current artists such as Night Works, Matthew E White and Father John Misty.

Mikey began working on the album while he was still touring with beloved Fortuna POP! signed indiepop outfit Allo Darlin’ and as a result it took a pretty long time to complete. The last few years were a conveyor belt of change as he; got married, had a child, bought a house, moved from London to be by the Kent coast (Ramsgate) and opened a residential studio Big Jelly Studios (where they’ve recorded albums by Girl Ray, Metronomy, Pete Doherty and the Puta Madres, Mt Wolf, Seamus Fogarty and many others including Elizabeth Morris from Allo Darlin’s new band, ELVA).  In short, he grew up.  The record journeys through these changes but has its roots firmly grounded in his new seaside habitat.  His identity with and connection to the area is even incorporated into the album artwork – a startling photograph by local photographer Jason Evans (who has worked with Radiohead and Keiran Hebden/Fourtet), incorporating flora and fauna of the region, an outer ring of pop glow that hints at the neon din of the seaside.  The idea for the image emerged after a discussion about the relationship between organic and synthesised sounds on the record and its need to represent the area.

Moving to the coast had a more profound effect on Mikey than he imagined, as he explains; “Mostly it’s about a seismic shift in life.  I probably delayed growing up in a lot of ways, touring can kind of help that - it’s a fantasy world in some ways!  I hadn't really stopped to appreciate what I had until I got a little bit of time and space to think.  Being by the sea is good for that.  I realised how many positives there are in my life and I wanted to channel some of that into a record."  Unsurprisingly there are a lot of references to the sea, falling in love and friendship on the album. This is evident in songs such as as “Falling”, which is about proposing to his wife – something he swore blind he'd never do! - to “Pinata”, a song about handing over your heart, wrapping it in a piñata and giving someone the bat (in a humorous way). "Side by Side" is a reflection on having spent a lot of time with a group of people and that, hopefully, the Allo Darlin' friendship would always endure.

"West Coast" is another uptempo disco-vibe, reflecting on time spent with long term tour buddies The Wave Pictures in California. In "Home Bird", Mikey tried to pay homage to to the grooves of older RnB tunes with a simple arrangement, Rolling Stones-esque riffs and thoughts about the dichotomy of missing home, but loving being on the road. The finger-picked, delicately arranged acoustic song, "Moving On", was recorded in one take in the upstairs flat of a cafe/bar (called Caboose) that Mike opened with his wife when they first moved to Ramsgate. An airplane flew overhead at a seemingly poignant moment, so Mike decided to keep that take, as explains; "it seemed like a perfect moment captured!”.  

The album title “Hoick” is a word that he used without thinking when lifting and throwing his daughter in the air. He only noticed it when she started saying it back to him - “I like the way it sounded... it's  a strange word, but when I thought about what it meant it seemed to encapsulate what I wanted the record to do; to lift up”.

Although the making of the record was a solo endeavour, live he is joined by a crack-team of musicians. Whilst he plays guitar and sings, in addition to the afore mentioned Laura Kovic, and lifelong friend, guitar maestro Paul Rains, he is joined by drummer Ian Button (Death In Vegas, Papernut Cambridge) and Tom Parkinson on bass.

Of the album Mikey states: “This has been the first musical project that I feel proud of the moment I finished it.  Normally it takes a bit of time and perspective.  It feels as happy, conflicted and dense as the inside of my brain feels most of the time, which is the danger / joy of the solo record...” Collins deftly blends a solid rhythm section with disco beats and old school R&B grooves, layering the bass lines, guitars, synths and harmonies to build up each track sonically. The result is a shimmering and glittering record that bursts with joy and wonder.

Mikey Collins - Hoick

“Collins – by accident or by design – has created a sun-drenched soundtrack to 2018’s summer heatwave, and much like the output of his old band Allo Darlin’, Hoik is a record ready and waiting to be fallen in love with.” London in Stereo

“I was initially remined just a bit of the Joe Jackson-Squeeze school of smart Brit pop; when it’s good it can be really good (e.g. “Home Bird,” where the foundation shifts to guitar, and the Brit folky “Moving”), but I kinda dig the synth-pop buoyancy more (shades of this mode lingers), and I hardly ever say that.” The Vinyl District [B]

“a summery solo album” Scottish Express [4/5]

“Hoick, the first solo album from Allo Darlin’ drummer Mikey Collins, is a real pleasure” Morning Star [4/5]

“Collins has made a mature, pleasant pop record here” Irish News

Hoick is eminently accessible and satisfying summer music, and its songs quickly become like old friends that you welcome them into your life whenever you hear them.  And in that, there is some real magic.” When You Motor Away

“It's not that the release is amazingly tuneful and invigorating in such a way as to suggest something not dependent on rhythms (though it is), it's just that I can't think of many drummers who have this sort of ease with a hook.” A Pessimist Is Never Disappointed

“a reflective album inspired by his becoming a father and moving to the coast of England. Yet, it’s got a lot of tricks up its sleeve, perhaps intentionally traditionally catchy and pop-friendly to put you in a good or nostalgic mood.” Since I Left You

“For this album musical influences have been taken from Bruce Springsteen, Dexy’s Midnight Runners and Norman staff ‘favourite’ Father John Misty, to name a few.” Norman Records

The Just Joans - Has Anybody Seen My Boy? [7"]

Artist: The Just Joans
Title: Has Anybody Seen My Boy?
Format: 7" single on transparent blue vinyl
Cat#: Fika069
Release date: 10th August 2018
Bandcamp | Spotify | iTunes

Cult Scottish miserabilists The Just Joans have a new double A-side single, following up on the success of 2017’s album You Might Be Smiling Now…, their first in over a decade.

Formed in Glasgow in 2005, The Just Joans have evolved from a shambling two-piece to an accomplished sextet that embraces rivalry and relationship in the vocals of siblings, David and Katie Pope.

Once described as ‘the missing link between The Magnetic Fields and The Proclaimers’, the band have used self-awareness and self-deprecation to continuously explore themes of angst, heartbreak and detachment in their songs.

From their 2006 debut album Last Tango in Motherwell through a series of successful EPs, to 2012’s compilation Buckfast Bottles In The Rain, the acerbic wit in David Pope’s observational lyrics have helped make the band a firm favourite of the indie-pop scene. Their rise has seen them play a plethora of international festivals, such as Wales Goes Pop, Indiefjords, NYC Popfest, and of course the Indietracks festival, of which they have been long-standing cult favourites since their first appearance in 2008.

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David Pope describes the two tracks from the 7” in characteristic Just Joans style:

Has Anybody Seen My Boy? is our attempt at writing a lost 60’s girl group track...had that girl group been from Motherwell.  3 minutes of bubblegum-tragi-pop. Flip side Who Does Susan Think She Is? is a direct message to the friends who swanned off to art school and came back 3 months later with dyed hair, a Polaroid camera and a snooty attitude. You know who you are…”

The artwork was created specially for the single by Doreen Kay who attends the weekly art cIass Katie Pope runs for adults who have learning disabilities.  Doreen's work often depicts popular cultural, including tv programmes and celebrities she likes. She also paints places she's enjoyed visiting and people she knows. We’re all very excited that she agreed to design the sleeve for this release. 

The Just Joans are David Pope (vocals and guitar), Katie Pope (vocals), Chris Elkin (lead guitar), Fraser Ford (bass guitar), Doog Cameron (keyboards) and Jason Sweeney (drums).

The Just Joans - Has Anybody Seen My Boy.jpg

"Two new songs from glum sibling centric Glaswegian indie rockers. The Just Joans, formed in 2005, are built around the tempestuous relationship only siblings can have, here provided by Katie and David Pope. Has Anybody Seen My Boy shows them capitalising off the energy of 2017's You Might Be Smiling Now... for a fresh opportunity to show off how miserable they are." Norman Records

"terrific weekend angst-pop" When You Motor Away